Shadow Cinema: The Historical and Production Contexts of Unmade Films

Cover\nHalf title\nTitle\nCopyright\nContents\nContributors\nIntroduction\nPart I Producers and production companies\n	1 A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo!\n	2 Gone with the winds that never were: The David O. Selznick archive and unmade historical cinema\n	3 Parting the Iron Curtain: Michael Klinger’s attempt to make A Man and a Half\nPart II Directors and auteurs\n	4 Unfinished business: Godard, cinema and theatre in the 1960s\n	5 Ken Russell’s unfinished projects and unmade films, 1956–68: The BBC years\n	6 Ghatak in the shadows: Films that struggled\nPart III Questioning the unmade\n	7 Herding Cats; or, the possibilities of unproduction studies\n	8 Assembling Frankenstein\n	9 Burning bright: Samuel Fuller’s Tigrero and accidental ethnography\n	10 Clouzot’s L’Enfer\n	11 Claude Lanzmann’s Shoah and its shadow: Rescue and resistance\nPart IV Reconstructing the unmade\n	12 The never Alice: Marilyn Manson, gothic girlhoods and Phantasmagoria: The Visions of Lewis Carroll\n	13 The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s fi lm culture and the (non) filming of the Yorkshire Ripper murders\n	14 The unmade undead: A post-mortem of the post-9/11 zombie cycle\nIndex