Scansion in Psychoanalysis and Art: The Cut in Creation

Cover
Half Title
Series Information
Title Page
Copyright Page
Dedication
Table of contents
Acknowledgments
Preface
Introduction
	Notes
	Bibliography
Part 1 Sowing seeds/setting the stage
	Chapter 1 A cut in time: The advent of photography
		Notes
		Bibliography
	Chapter 2 Reimagining the frame: The birth of modern art
		Notes
		Bibliography
		Filmography
Part II Unleashing the unconscious
	Chapter 3 The art of noise
		Notes
		Bibliography
	Chapter 4 Psychoanalysis and Dada
		Notes
		Bibliography
		Filmography
	Chapter 5 Collage, photomontage and assemblage
		Notes
		Bibliography
		Filmography
	Chapter 6 Disrupting the expected: Marcel Duchamp
		Notes
		Bibliography
		Filmography
Part III Revolution of mind
	Chapter 7 Surrealism/Acéphale
		Notes
		Bibliography
		Filmography
	Chapter 8 Double-bind: Cutting the bonds of gender
		Notes
		Bibliography
	Chapter 9 The cutting edge: Avant-garde and experimental cinema
		Notes
		Bibliography
		Filmography
	Chapter 10 The cut-up method of the Beats
		Notes
		Bibliography
		Filmography
Part IV When art becomes life (and death)
	Chapter 11 Acting out: Pop, street and performance art
		Notes
		Bibliography
		Filmography
	Chapter 12 Cut from the collective: Alternative communities
		Notes
		Bibliography
		Filmography
	Chapter 13 Body modification, polymorphous perversity and Pandrogeny
		Notes
		Bibliography
		Filmography
	Chapter 14 Technology, morbidity, death and the unexpected
		Notes
		Bibliography
		Filmography
Index