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ویرایش:
نویسندگان: Moradewun Adejunmobi. Carli Coetzee
سری: Routledge Handbooks
ISBN (شابک) : 9781315229546, 9781351859363
ناشر: Routledge
سال نشر: 2019
تعداد صفحات: 477
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 5 مگابایت
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در صورت تبدیل فایل کتاب Routledge Handbook of African Literature به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب کتابچه راهنمای ادبیات آفریقایی روتلج نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
آغاز قرن بیست و یکم شاهد گسترش رویکردهای انتقادی به ادبیات آفریقا بوده است. کتاب راهنمای ادبیات آفریقایی راتلج یک انتشارات یک مرحله ای است که مطالعات مربوط به متون ادبی آفریقا را گرد هم می آورد که مجموعه ای از رویکردهای جدیدتر به کار رفته در طیف وسیعی از آثار را در بر می گیرد. این شامل چارچوبهایی است که از مطالعات مواد غذایی، مطالعات آرمانشهری، نظریه شبکه، انتقاد از محیط زیست، و بررسی رابط انسان/حیوان در کنار بحثهای آشناتر درباره سیاست پسااستعماری به دست میآید. هر فصل یک مقاله پژوهشی اصیل است که توسط طیف وسیعی از محققان با تخصص در این موضوع نوشته شده است و کاربرد تازهترین بینشها در تحلیل موضوعات خاص یا کاربرد چارچوبهای انتقادی خاص برای یک یا چند اثر ادبی آفریقایی را ارائه میدهد. این کتاب یک منبع بین رشتهای ارزشمند برای محققان و دانشجویان ادبیات آفریقا، فرهنگ آفریقا، ادبیات پسااستعماری و تحلیل ادبی خواهد بود. فصل 4 این کتاب به صورت رایگان به صورت PDF دسترسی آزاد قابل دانلود تحت مجوز Creative Commons Attribution-Non Commercial-No Derivatives 3.0 در دسترس است. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138713864_oachapter4.pdf
The turn of the twenty-first century has witnessed an expansion of critical approaches to African literature. The Routledge Handbook of African Literature is a one-stop publication bringing together studies of African literary texts that embody an array of newer approaches applied to a wide range of works. This includes frameworks derived from food studies, utopian studies, network theory, eco-criticism, and examinations of the human/animal interface alongside more familiar discussions of postcolonial politics. Every chapter is an original research essay written by a broad spectrum of scholars with expertise in the subject, providing an application of the most recent insights into analysis of particular topics or application of particular critical frameworks to one or more African literary works. The handbook will be a valuable interdisciplinary resource for scholars and students of African literature, African culture, postcolonial literature and literary analysis. Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138713864_oachapter4.pdf
Cover Half Title Title Page Copyright Page Table of Contents List of contributors 1. Introduction Mapping Political Agencies Journeys, Geographies, Identities Working through Genres The World of and beyond Humans Everyday Sociality Bodies, Subjectivities, Affect Literary Networks Critical junctures Notes References PART I: Mapping Political Agencies 2. ‘Children of the Cold War’: Rethinking African literary generations through the global conflict Notes References 3. Ethics and the politics of the ordinary in African literature Literature, the ordinary and ethics The ordinary as the political Recognition and care as contours of everyday agency Conclusion Notes Bibliography 4. Globalisation, mobility and labour in African diasporic fiction Funding acknowledgement Notes References 5. Towards an ethics of the humanitarian imagination Notes Works cited PART II: Journeys, Geographies, Identities 6. Decolonising the Afropolitan: Intra-African migrations in post-2000 literature Introduction: re-framing the ‘migrant novel’ Pluriversal migration narratives Conclusion Notes References 7. History, imperial eyes and the ‘mutual gaze’: Narratives of African-Chinese encounters in recent literary works Representing otherness: the postcolonial and the Global South Recent literary narratives of Africa–China encounter Femi Osofisan’s adaptation of Thunderstorm Yan Geling’s travelogue in Nigeria Conclusion Notes References 8. Ethnicity in post-2000 African writing Notes References 9. Mythopoesis of the self: Nation, textuality and the writer as political hero Introduction Fractures, revisions and counter-discourse in the making of identity Narrating the nation: Soyinka’s life writings Mythos and the self: Wole Soyinka, ‘the perpetual dramatist … in every drama of his own manufacture’ Conclusion Notes References PART III: Working through Genres 10. How to be a writer in your 30s in Lagos: Self-help literature and the creation of authority in Africa The history of self-help literature in Africa ‘Problem-solving texts’: self-help literature and social change Creating new readerly selves by making progress Self-help literature and the creation of authority Note Acknowledgements References 11. Gothic supernaturalism in the ‘African imagination’: Locating an emerging form Gothic: fear, enlightenment and the supernatural Situating gothic in the African imagination The gothic prism?: verticality as a strategic relation Postcolonial gothic – and beyond Gothic as a situated feminist strategy Why now? Gothic aetiologies of Africa’s millennial present Notes References 12. Contested filial voice in African female-authored autobiographies Introduction Reading methods and modes of re-membering filiation in African (women’s) autobiographies The filial voice’s contestation and re-invention of history in El Saadawi’s autobiographies The filial voice’s contestation of cultural and religious hegemony in Ali’s autobiographies Conclusion Notes References 13. ‘I can’t go forward; I must go back’: Ben Okri’s (p)anachronistic utopias The utopian spectrum From cloud city to white walkers ‘How can I turn from Arcadia and live?’ Europe on the margins Notes Works cited PART IV: The World of and beyond Humans 14. African literature, audience and the search for the (non)human Conclusion: African literature, the critic, and the greater meaning Notes References Filmography 15. Dirty ecology: African women and the ethics of cultivation I. II. III. Notes References 16. African fictions, animal figures and anthropocentric frameworks Introduction Framing African animals: African oratures and cultural debates ‘The autobiographical animal’: the story of the nonhuman in Alain Mabanckou’s Memoirs of a Porcupine Wildness and civilization: the African body in the imperial center in Buchi Emecheta’s Second-Class Citizen Notes on the finitude of lives: Njabulo Ndebele and the vulnerability of flesh Conclusion Notes References 17. Depictions of Kenyan lands and landscapes by four women writers Notes References PART V: Everyday Sociality 18. Geopolitical and global topologies in fiction: Islam at the fault lines in Africa and the world Local and global topologies: Islam in Africa; Africa in the world Established and emergent fictions on Islam: topologies over time Works cited 19. Appetite and everyday life in African literature Notes References 20. ‘Foundational fictions’: Variations of the marriage plot in Flora Nwapa’s early Anglophone-Igbo novels Plotting marriage: Anglophone-Igbo approaches Amadi’s The Concubine and the embedded love-marriage plot The marriage-procreation plot in Nwapa’s Efuru and Idu Conclusion Notes References 21. Drinking scenes: Alcohol in the Francophone African novel Notes References PART VI: Bodies, Subjectivities, Affect 22. Desire and freedom in Yvonne Vera’s fiction Exiles from the future What is freedom to me? Nostalgia for the future Note Works cited 23. The forms of shame and African literature Shame as form African literature and its shames Conclusion Notes References 24. Scattered testimony: Locating the Rwandan genocide in transnational witnessing Introduction Reading the genocide through acts of displaced witnessing Addressing violent histories in transnational belonging: Binyavanga Wainaina’s (2003) ‘Discovering Home’ The meanings of silence: Yvonne Owuor’s (2003) ‘Weight of Whispers’ Drama on a silent screen: Billy Kahora’s (2010) ‘The Gorilla’s Apprentice’ Displacing empathetic witnessing Conclusion Notes Acknowledgement References 25. Contestations through same-sex desire in Jennifer Nansubuga Makumbi’s Kintu Introduction Conclusion Notes Acknowledgement Works Cited PART VII: Literary Networks 26. The Story Club: African literary networks offline African literary clubs and networks Shadreck Chikoti: the face of the Story Club’s networks Face-to-face meetings and live crowdfunding Notes Bibliography 27. Language and prizes: Exploring literary and cultural boundaries African literature and the awards industry Language and literary awards Conclusion Notes Works cited 28. Publishers’ networks and the making of African literature: Locating communities of readers and writers Publishers’ networks and African literary production Launching Chimamanda Ngozi Adichie’s Purple Hibiscus in Nigeria Launching Binyavanga Wainaina’s One Day I Will Write About This Place in Kenya Disjunctures and intersections Conclusion Notes References 29. Literary networks in the Horn of Africa: Oromo and Amharic intellectual histories Scholarship on Ethiopian and African literature Studying literary networks: theory and methodology Ethiopia: historical background Amharic and Oromo literary networks in the late nineteenth and twentieth century Notes References Index