Revolts and Political Violence in Early Modern Imagery (Brill’s Studies on Art, Art History, and Intellectual History, 54)

Contents
Illustrations
Notes on Contributors
Introduction Revolts and Political Violence in Early Modern Imagery
Part 1 Visual Markers of Legitimacy
Chapter 1 To Visualize or Not to Visualize: Commemorating the Suppression of Revolt in Early Qing China
Chapter 2 Visualizing Punishment in Byzantium: Disseminating Memories of Quelled Revolts before the Age of Mechanical Reproduction
Chapter 3 Revolutionary Ceremonies and Visual Culture during the Neapolitan Revolt (1647–1648)
Part 2 Confessional Conflict
Chapter 4 From Power Brokers to Rebels: How Frans Hogenberg Depicted the Beginning of the Dutch Revolt
Chapter 5 Strategies of Transnational Identification: Images of the 1655 Massacre of the Waldensians in the Dutch Press
Chapter 6 Image and Text as Propaganda during the Upper Austrian Peasant War (1626)
Part 3 Foreign Observation
Chapter 7 The International Reputation and Self-Representation of Hungarian Noblemen in the Seventeenth Century
Chapter 8 Representing the King: The Images of João IV of Portugal (1640–1652)
Chapter 9 Marking Political Legitimacy in Early Modern Images of Russia
Chapter 10 Through Glory and Death: Stepan Razin and the 1667–1671 Cossack Rebellion in Western Early Modern Visual Culture
Part 4 Revolutionary Images
Chapter 11 Concepts of Leadership in Early Portraits of American Revolutionaries
Chapter 12 Satirical Rebels? Irritating Anticipations in European Visualizations of Black American Insurgents around 1800
Index