Revisioning Beckett: Samuel Beckett's decadent turn

Cover
Contents
Foreword
Acknowledgments
Demonology, Sade-ism, and Samuel Beckett’s Decadent Turn: An Introduction
PART ONE A Professional Life
	1 Samuel Beckett and Lace Curtain Irish Modernisms
	2 Publishing in America: Sam and Barney
	3 Eleutheria: Samuel Beckett’s Suppressed Bohemian Manifesto
PART
 TWO A Theatrical Life
	4 Textual Aberrations, Ghost Texts, and the British Godot: A Saga of Censorship
	5 “nothingness/in words enclose?”: Waiting for Godot
	6 An End to Endings: Samuel Beckett’s End Game(s)
	7 Samuel Beckett’s Art of Self-collaboration
	8 Beckett’s Keyhole Art: Voyeurism, Schaulust, and the Perversions of Theater
	9 “He wants to know if it hurts!”: The Body as Text in Samuel Beckett’s Theater
PART
 THREE A Philosophical Life
	10 Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights, and the Politics of Godot
	11 Beckett and the Revisioning of Modernism(s): Molloy
	12 A Sense of Unending: Fictions for the End of Time
	13 The Death of Style: Samuel Beckett’s Art of Repetition, Pastiche, and Cutups
Bibliography
Index