Research Methods in Performance Studies

Cover
Half Title
Title Page
Copyright Page
Contents
Acknowledgments
List of Contributors
Introduction: Performance, Performativity, Research, Method
SECTION I: Means of Making
	1. Adaptation of Literature as Method: Text, Politics, and Representation
	2. Methods on My Mind in the Doing of Performance and Performed Ethnography
	3. A Critical Method for Performing Popular Texts: The Adventures of Little Red Riding Hood as Case Study
	4. Personal Narrative Performance Research: The Visceral, Collaborative, and Susceptible Exploration of the Stories We Tell Others
SECTION II: Researching Performance Cultures
	5. Disability and Performance
	6. Expanding Frames of Analysis in Stand-up Comedy
	7. The Ethnography of Poetry: Or, Slamming Methods
	8. Performance Space and the Architecture of Experience
	9. Beyond the Bounds of the Classroom: Facilitating Students’ Public Performances
SECTION III: Researching Performers/Performers Researching
	10. Mistranslation as Method in Artistic Research
	11. Performative Autoethnography: A Matterphor of Things
	12. Race and Social Justice: Performing the Radical Imagination
	13. Critical/Performance Ethnography, Oral History Performance, and Listening: Notes on Methods for Living Research
	14. The Hero’s Journey: Creating a Theatre/Storytelling Performance Inspired by the Work of Joseph Campbell
SECTION IV: Emerging and Enduring Contexts
	15. Posthumanist Performance Studies: Four Practical Assertions
	16. Tourism
	17. Performance, Technologies, Ontologies: The Video Performance Does Not Stand Alone
	18. Navigating Place as a Performance Studies Researcher: Waypoints and Breadcrumbs
Conclusion: Observations on Performance Studies Research and Methods
Index