Renaissance Shakespeare: Shakespeare renaissances proceedings of the Ninth World Shakespeare Congress

ForewordJill L. LevensonPart 1Renaissance Shakespeare: Interpretations, Performance, ContextsChapter 1: Shakespeare: the Man of European RenaissanceStanley WellsChapter 2: Talbot, IncorporatedJoel RodgersChapter 3: Hamlet and the French Wars of ReligionElizabeth PentlandChapter 4: Ecology, Evolution, and Hamlet Randall MartinChapter 5: The Anticipatory Premise of History in the Reception of Shakespeare's SonnetsRobert DarcyChapter 6: The Balance of Power in King Lear's KingdomsAtsuhiko HirotaChapter 7: "Here's a strange alteration": Contagion and the Mutable Mind in CoriolanusDarryl ChalkChapter 8: Making Visible: Afterlives in Shakespeare's PericlesSupriya ChaudhuriChapter 9: A Legal Assessment of the Circumstantial Evidence in The Winter's TaleKimberly R. WestChapter 10: Shakespeare's Lost PastoralsSukanta Chaudhuri Chapter 11: Shakespeare and FestivalMargaret ShewringChapter 12: Using On-screen Modeling to Examine Shakespearean Stage PerformanceRichard FotheringhamChapter 13: What Are We Doing When We're `Doing Shakespeare'? The Embodied Brain in Theatrical ExperienceRos KingChapter 14: The Queen of Bohemia's WeddingJames J. MarinoChapter 15: The Puritan Widow and London ParishesBrian WalshChapter 16: Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's CockpitEleanor CollinsChapter 17: "A plague o' these pickle herring": From London Drinkers to European Stage ClownM.A. KatritzkyPart 2Shakespeare Renaissances: Appropriations, Adaptations, AfterlivesChapter 18: Shakespeare's Theatre of Language: Czech ExperienceMartin HilskyChapter 19: Directing Shakespeare: The Cold War YearsAnn Jennalie Cook, Vlasta Gallerova, Karel Kriz and Robert SturuaChapter 20: Shakespeare's Undiplomatic ReadersJean-Christophe MayerChapter 21: Shakespeare: The Unmaking of a National PoetBalz EnglerChapter 22: Shakespeare in Habsburg TransylvaniaMadalina NicolaescuChapter 23: Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911Kaori KobayashiChapter 24: "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatrePatrick LonerganChapter 25: "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist GermanyZeno AckermannChapter 26: Shakespeare in Extremis: The Staging of the Classics by Greek Political Exiles (1951-1953)Tina KrontirisChapter 27: Reasoning the Need: Shakespeare Performance in Reunified BerlinEmily OliverChapter 28: Hamlet in Venice: An Anthropology of Italian TheoryShaul BassiChapter 29: Robert Lepage among the Huronne-Wendat: An(other) Aboriginal Treatment of La TempeteBarry FreemanChapter 30: Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaCarla Della GattaChapter 31: The Brazilian Accent of OthelloCristiane Busato SmithChapter 32: Tragedy's Honor, and OursSharon O'DairChapter 33: The Politics of Rape in Nahum Tate's The History of King Lear, 1681Emma DepledgeChapter 34: (Re)touching: Shakespeare and Cinematic War NarrativesAnna CeteraChapter 35: Happily Never After? Women Filmmakers and the Tragedy of MacbethCourtney LehmannChapter 36: Singing to Shakespeare in OmkaraPoonam Trivedi Chapter 37: Renegotiating Female Power: Shakespearean Productions in Taiwan 2000-2010Bi-qi Beatrice LeiChapter 38: Stratford RevisitedGraham HoldernessChapter 39: Narrative and Dramatic Sources of StoppardHanna ScolnicovChapter 40: The Stoppard ChroniclesJill L. LevensonChapter 41: Stoppard and ShakespeareHersh ZeifmanAppendix A: Complete List of Papers from the Conference ProgrammeAppendix B: Seminars, with Their Leaders and Registered ParticipantsNotes on ContributorsIndex