Reframing Translators, Translators as Reframers

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of figures
List of tables
Notes on contributors
Acknowledgements
Introduction: Reframing reframers and their stories
Reframing collaboration
	Chapter 1 John Rodker, revising author and revised translator
	Chapter 2 Reframing Ling Ling: A genetic approach to collaborative poetic rewriting
	Chapter 3 Self-translation, collaborative translation and rewriting: The poem “Chanson” by Giuseppe Ungaretti and Jean Lescure
Reframing creativity
	Chapter 4 The translator as an ex-isle: Literary translation, collaborative pedagogy, and creative writing
	Chapter 5 Reframing the entremez in the Iberian Peninsula
	Chapter 6 Dancing in the hall of f(r)ame(s): Practices of translation and memory in the work of choreographers
	Chapter 7 Reframing of ships past: Power and style in two translations of Lobo Antunes’s As Naus
Reframing paratexts
	Chapter 8 Agency on the margins and supra-individual habitus: Reframing translation through the Greek peritext of Nicholas Gage’s Eleni
	Chapter 9 Translators as (self-)reframers: Inquiring into translators’ prefaces to literary works in twenty-first-century Portugal
	Chapter 10 “What is an Afro-Scot anyway?”: Reframing Jackie Kay’s fluid identities in translation
Reframing gender
	Chapter 11 “A transnational star is born”: Reframing Chimamanda Ngozi Adichie for the Italian reader
	Chapter 12 Reframing gendered narrations across cultures: Addressing The Secret Lives of Baba Segi’s Wives by Lola Shoneyin to the Italian public
	Chapter 13 Who’s afraid of Jane Eyre?: Translating as reframing in the Portugal of the 1940s and 1950s
	Chapter 14 Reframing the female voice: The case of translations of Annie Vivanti’s Circe
Index