Reform Acts: Chartism, Social Agency, and the Victorian Novel, 1832–1867

Cover\nContents\nAcknowledgments\n1 Social Agency: The Franchise, Class Discourse, and National Narratives\nPART 1: MAKING PHYSICAL FORCE MORAL: THE DILEMMA OF CHARTISM, 1838–1842\n	2 Social Agency in the Chartist and Parliamentary Press\n	3 Egalitarian Chivalry and Popular Agency in Wat Tyler\n	4 Unconsummated Marriage and the “Uncommitted” Gunpowder Plot in Guy Fawkes\n	5 Class Alliance and Self-Culture in Barnaby Rudge\nPART 2: “THE LAND! THE LAND! THE LAND!”: LAND OWNERSHIP AS POLITICAL REFORM, 1842–1848\n	6 Agricultural Reform, Young England’s Allotments, and the Chartist Land Plan\n	7 The Landed Estate, Finely Graded Hierarchy, and the Member of Parliament in Coningsby and Sybil\n	8 Agricultural Improvement and the Squirearchy in Hillingdon Hall\n	9 The Land Plan, Class Dichotomy, and Working-Class Agency in Sunshine and Shadow\nPART 3: THE SOCIAL TURN: FROM CHARTISM TO COOPERATION AND TRADE UNIONISM, 1848–1855\n	10 Christian Socialism and Cooperative Association\n	11 Clergy and Working-Class Cooperation in Yeast and Alton Locke\n	12 Reforming Trade Unionism in Mary Barton and North and South\n	Coda: Rethinking Reform in the Era of the Second Reform Act, 1860–1867\nNotes\nWorks Cited\nIndex\n	A\n	B\n	C\n	D\n	E\n	F\n	G\n	H\n	I\n	J\n	K\n	L\n	M\n	N\n	O\n	P\n	R\n	S\n	T\n	U\n	V\n	W\n	Y\nПустая страница