Reeled In: Pre-existing Music in Narrative Film

Cover
Half Title
Title Page
Copyright Page
Dedication
Contents
List of figures and tables
Acknowledgements
Introduction
	Remit
	Defining pre-existing music
	Using pre-existing music
	Manners of quotation
	Plan of the book
	Notes and references
1 Production contexts and considerations
	Rights and licensing
	(Re)selling pre-existing music
	Production systems and attitudes
	Pre-existing music and directorial control
	Notes and references
2 Intention and interpretation
	Recognizing audiences
	Investigating film scores
	Guiding interpretation
	Intentional readings
	Judging intention
	Notes and references
3 Functions of musical reference
	Time and place
	Musical agents
	Form and expectations
	Unity and coherence
	Notes and references
4 Post-existing music
	Audience
	Cultural influence and ownership
	Challenging conceptions
	Notes and references
Conclusion
	Notes and references
Filmography
Index