Reading Keats’s Poetry: Alternative Subject Positions and Subject-Object Relations (Routledge Studies in Romanticism)

Cover
Half Title
Series Information
Title Page
Copyright Page
Table of Contents
Acknowledgements
Introduction
	John Keats the Poet
		Rethinking the Sublime With Keats
		Negative Capability
	Notes
	References
1 Theoretical Background
	Ecopsychological Vision of Subjectivity: An Interface Between the Lacanian and the Braidottian Nomadic Subjects
		Dispersal Along the Porosity of Borders
			Sinthome
			Lacan’s Theorization of the Unconscious
			Move From Being to Braidottian Becoming
		Affective Interaction
			Inextricability of the Real, the Imaginary, and the Symbolic
			Positivity of Difference
		Spinozist Notion of Desire
			Subject and the Signifier
			Objet Petit a
		Nomadic Vision of Desire
	Psychosis
	The Collapse of the Woman
	Extimacy (Extimité)
	Notes
	References
2 Unchaining Desire in “Ode to a Nightingale” and “In Drear Nighted December”
	Confrontation of the Human With the Nonhuman in “Ode to a Nightingale:” From Becoming-Animal to Becoming-Sod
	The Feel of Not Feeling Linearity With the December Happiness of a Tree and a Brook in “In Drear Nighted December”
	Notes
	References
3 Crossing Borders With the Resurfacing of the Psychotic Material in “Isabella; Or, The Pot of Basil,” “Lamia,” and “La Belle Dame Sans Mercy”
	Dynamic Processes of Resistance in “Isabella; Or, The Pot of Basil”
	“From Human Trammels Freed:” Bending the Humanist Discourse With Lamia the Serpent-Woman
		Poisoning the Man With La Belle Dame Sans Mercy’s “Honey Wild”
	Notes
	References
4 Becoming Topological in “Ode to a Grecian Urn”
	Experiencing States of Extimacy in the Cradle of Unheard Melodies
	Notes
	References
Conclusion
	Reference
Index