Psychology of Music

Content: 
Front Matter, Page iii
Copyright, Page iv
List of Contributors, Pages xi-xii
Preface, Pages xiii-xvii, Diana Deutsch
1 - The Perception of Musical Tones, Pages 1-24, R.A. Rasch, R. Plomp
2 - Exploration of Timbre by Analysis and Synthesis, Pages 25-58, Jean-Claude Risset, David L. Wessel
3 - Perception of Singing, Pages 59-98, Johan Sundberg
4 - Grouping Mechanisms in Music, Pages 99-134, Diana Deutsch
5 - The Listener and the Acoustic Environment, Pages 135-147, R.A. Rasch, R. Plomp
6 - Rhythm and Tempo, Pages 149-180, Paul Fraisse
7 - Timing by Skilled Musicians, Pages 181-239, Saul Sternberg, Ronald L. Knoll, Paul Zukofsky
8 - Intervals, Scales, and Tuning, Pages 241-269, Edward M. Burns, W. Dixon Ward
9 - The Processing of Pitch Combinations, Pages 271-316, Diana Deutsch
10 - Melodic Processes and the Perception of Music, Pages 317-341, Burton S. Rosner, Leonard B. Meyer
11 - Structural Representations of Musical Pitch, Pages 343-390, Roger N. Shepard
12 - Musical Ability, Pages 391-412, Rosamund Shuter-Dyson
13 - Melodic Information Processing and Its Development, Pages 413-429, W. Jay Dowling
14 - Absolute Pitch, Pages 431-451, W. Dixon Ward, Edward M. Burns
15 - Neurological Aspects of Music Perception and Performance, Pages 453-477, Oscar S.M. Marin
16 - Music Performance, Pages 479-496, John A. Sloboda
17 - Social Interaction and Musical Preference, Pages 497-516, Vladimir J. Konečni
18 - New Music and Psychology, Pages 517-536, Robert Erickson
Index, Pages 537-542
ACADEMIC PRESS SERIES IN COGNITION AND PERCEPTION, Pages ibc1-ibc2