Post-Socialist Political Graffiti in the Balkans and Central Europe (Southeast European Studies)

Cover\nHalf Title\nSeries Page\nTitle\nCopyright\nContents\nAbout the author\nList of illustrations\nPreface: towards a new interdisciplinary science – graffitology\nAcknowledgements\nExplanatory notes\nPART 1 Introduction to graffiti and street art studies\n	1 Mapping (political) graffiti and street art\n		1.1 Dirty words on clean walls – dilemmas in defining graffiti and street art\n		1.2 Poetics on the wall: characteristics of aesthetic/subcultural graffiti and street art\n		1.3 Politics on the wall: characteristics of political graffiti and street art\n	2 Types, styles, and techniques of graffiti and street art\n	3 Ways, sites, and methods of researching political graffiti and street art\n		3.1 Graffitography – photographing as a way of collecting visual data\n		3.2 Multiangular approach: four sites of meaning of graffiti\n		3.3 Methods of researching political graffiti and street art\nPART 2 Post-socialist graffitiscapes: case studies\n	4 Yugoslavia after Yugoslavia: graffiti and street art about Yugoslavia in the post-Yugoslav urbanscape\n	5 Contested heroes – Gavrilo Princip and Rudolf Maister as subcultural icons\n	6 Nature as politics – the motif of Mt. Triglav in graffiti and street art\n	7 Shameful compliance – Balkan nationalist graffiti and street art\n	8 Spraying hatred – extreme-right graffiti and street art in Slovenia\n	9 The new others – visual ideology of refugees in contemporary Slovenia\n	10 The chosen few – football fan graffiti\n	11 One club, one honour! – the graffitiscape of Slovenian football fans\nConclusion: power of the street (art), powerlessness of (street) art\nReferences\nIndex