Playwriting in Europe: Mapping Ecosystems and Practices with Fabulamundi

Cover
Half Title
Series
Title
Copyright
Contents
List of Tables
Acknowledgements
Preface
Part I At Work with Fabulamundi
	1 At Work with Fabulamundi
		1.1 An Archaeology of European Playwriting
		1.2 Playwriting or Dramaturgy?
		1.3 The Ethics and Politics of Representation
		1.4 Fromaggio or Formaggio? Translating l Sorriso
della scimmia by Nalini Vidoolah Mootoosamy
		1.5 Bibliography
Part II Fabulamundi Workbook
	2 Fabulamundi Workbook: A Report on Contemporary Playwriting and Theatre Translation Practices in Europe
		2.1 Introduction
		2.2 Structure and Research Questions
		2.3 Methodology
		2.4 Executive Summary
		2.5 Austria and Germany
		2.6 Czech Republic
		2.7 France
		2.8 Italy
		2.9 Poland
		2.10 Romania
		2.11 Spain
		2.12 United Kingdom
		2.13 Conclusion: Best Practices
		2.14 Bibliography
Part III Conversations
	3 For a Common Cultural Space: A Conversation with Lejla Kalamujić and Tanja Šljivar about Playwriting in Bosnia, Serbia, Croatia and Montenegro
	4 Representing Nordic Playwrights: A Conversation with Literary Agent Hinriikka Lindqvist about Playwriting in Finland
	5 From ‘Fuck Story’ to ‘Whose Story?’: A Conversation with Tyrfingur Tyrfingsson and Sigríður Jónsdóttir about Playwriting in Iceland
	6 Cultivating Diversity Through Policy: A Conversation with Jenny Mijnhijmer about Playwriting in the Netherlands
	7 We Have to Run Faster: A Conversation with Tiago Rodrigues and Marco Mendonça about Playwriting in Portugal
	8 A New Beginning? A Conversation with Mark Levitas about Playwriting in Turkey
Index