Photography, Curation, Criticism: An Anthology

Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of Illustrations
Chapter Credits
Prologue
Acknowledgements
Part I: Critical Reflections
	Chapter 1: Photography, Curation, Criticism
		Reflections
		Interventions
		The Image that Disturbs
		Sublime as Disturbance
		The Seduction of Beauty
		Thinking Critically
		Anthology
		Notes
		References
	Chapter 2: Speaking of this Collection: A Conversation Between Martha Langford and Liz Wells
		References
Part II: On Curation and Residency
	Chapter 3: Curatorial Strategy as Critical Intervention: The Genesis of Facing East
		Curating as Research Process
		Facing East
		Considerations
		Landscape Photography from Baltic Areas
		Conclusion
		Notes
		References
	Chapter 4: Landscapes of Exploration
		Notes
		References
	Chapter 5: On Being Out of Place
		References
Part III: Phenomena
	Chapter 6: Icy Prospects
		Wilderness
		Wilderness Journeys
		Lapland – Arctic Wilderness
		Refusing Appropriation
		In the Land of Make-Believe
		Icy Prospects
		Dreaming with Open Eyes
		References
	Chapter 7: Light Touch
		Notes
	Chapter 8: No Man’s Land: Antarctica and the Contemporary Sublime
		The Antarctic as No Man’s Land
		Sublime
		Sublime as a Concept Historically
		Contemporary Art and the Sublime
		Notes
		References
Part IV: Place
	Chapter 9: Points of Departure: Currencies of the Post-Industrial Sublime
		Sublime as Concept
		Currencies of the Post-Industrial Sublime
		Thinking Through Art
		Notes
		References
	Chapter 10: Questions of Distance
		Notes
		References
	Chapter 11: Photography, Nation, Nature
		Introduction
		Europe and Place
		Landscape Photography: Themes and Aesthetics
		European Places
		Notes
		References
	Chapter 12: A Man of the North
		Notes
		References
	Chapter 13: Hidden Histories and Landscape Enigmas
		Notes
		References
	Chapter 14: Histories and Imagination: Narrative and Metaphor in the Work of John Kippin
		References
	Chapter 15: Silent Witness
		Notes
		References
Part V: Critical Spaces
	Chapter 16: Seeing Beyond Belief: Cultural Studies as an Approach to Analysing the Visual
		Introduction
			Cultural Studies
			Media Studies
			The Study of Visual Culture
			Cultural Studies: Methodologies
		Analysis
			Context of Viewing
			Context of Production
		Looking: Form and Meaning
			Conventions
			Pictorial Conventions
			Semiotics and Codes
			Photographic Conventions
			Social Conventions
			Power and Photographic Conventions
		Looking: Recognition and Identity
		Conclusion
		Notes
		References
	Chapter 17: The Critical Forum
		Problematising the Theory-Practice Relation
		MA Independent Film and Video
		Film Theory for Film Practice
		A Few Final Points
		Notes
	Chapter 18: Then and Now: Some Notes on Photography and Theory
		Framing Moments
		Document
		Institutions
		Signification
		Then and Now
		Note
		References
	Chapter 19: Modes of Investigation: On Photography and Environment
		Notes
		References
About the Author
Index