Performing New German Realities: Turkish-German Scripts of Postmigration (Contemporary Performance InterActions)

Preface
Acknowledgements
Contents
List of Figures
Prelude: Scenes from the New Germany
	Scene 1: West Germany 1991/the Heiner Müller Archive, 1997/A Stage in North-East Germany, 2000
	Scene 2: Moers Schlosstheater, North-Rhein Westphalia 2011/Istanbul, Turkey Late 1960s
	Scene 3: The Main Stage & Foyer of the HAU Theatre: Berlin, 2006
	Scene 4: The Sony Centre, Potsdamer Platz, Berlin, 2011
	Scene 5: Heidelberg, the Same Year
	Scene 6: The Weekly Column of the Maxim Gorki Theatre, Berlin (2019)/A Desk in London (2020)
	Works Cited
Introduction: Turkish-German Scripts of Postmigration
	Turkish-German Theatre: From the Wings to Centre Stage
		Situating the Script
		Interculturalism, Postmigration, Mimeticism
		Scripts of Postmigration
	Works Cited
Scripts of Migration: Emine Sevgi Özdamar’s Early Plays (1982–2000)
	Staging Arrival in Alamania
	“These People no Longer Have a Stage”: Addressing the “Ausländer” Script
		Turkish Tradition Meets Postdramatic Performance
	“Oh Those Turks!” Intertextuality, Orientalism, and Dreams of Capital
	Alamania Again: Scripts of Migration at the Millennium
	Works Cited
Zaimoglu/Senkel/Shakespeare: Othello (2003) and the Turkish-German Rewrite
	Zaimoglu/Senkel/Shakespeare
	Offending the Audience: The Playwright as “Protestant Ethnic”?
	Othello in Performance at the Kammerspiele: Casting and Coercive Mimeticism
	Rewriting and the Turkish-German Stage: Spring’s Awakening, the Robbers and Hamlet
	Works Cited
The “Neo-Muslima” Enters the Scene: Zaimoglu/Senkel’s Black Virgins (2006) and the Postmigrant Theatre
	Beyond Belonging
	Documentary, Authenticity and an “Uncanny Emancipation”
	Staging Close Encounters with Islam: Spielberg Meets Kreuzberg
	Authenticity and Interculturalism in the Theatrical Context
	Works Cited
Performing Institutional Change: New Faces, Shadow Voices (2008)
	Migration and Documentary: Exploring an Entanglement
	“Intercultural Mainstreaming”, Documentary Theatre, and the “Professional Ethnic”
	Casting and Cologne’s “Multicultural Ensemble”
	Shadow Voices at the Ballhaus: Shaping Institutional Realities
	Works Cited
Celebrating the New “Normal”? Emine Sevgi Özdamar’s Perikızı and the Festival Context
	Mythologising Migration—Performing Diversity
	“Integration Has Its Price”
	An Intercultural Odyssey: Ruhr.2010 as Framing Narrative
	Perİkızı  at the Ballhaus: “50 Years of Sham Marriage”
	Works Cited
Conclusion: Scripting New Realities
	New Realities to Script
	Works Cited
Works Cited
Index