Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times

Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
Contributors
Preface
	Note
Acknowledgments
Introduction: pandemic performance and aliveness as art
	Notes
	Bibliography
Part I: America god damn
1. Imagining decolonial futures: in conversation with Autumn White Eyes
	Notes
	Bibliography
2. How do you hold when you need to be held? Dance and the embodied practice of grieving
	Introduction
	Conclusion
	Notes
	Bibliography
3. (Re)current Unrest: the fire this time
	Introduction
	Who I am
	(Re)current unrest ... as originally conceived
	On (Re)staging (Re)current Unrest
	(Re)current unrest in performance
	Note
	Bibliography
Part II: Friction and encounter
4. Performative allyship and the foxes that drool: in conversation with Brittany Talissa King
	Notes
	Bibliography
5. Theatre in quarantine: temporality and nostalgia in remediation
	Transparency
	Proximity
	Temporality
	Repetition
	Nostalgia
	Notes
	Bibliography
6. \"Come be people in space with us:\" space-making as mutual art and mutual aid
	Notes
	Bibliography
Part III: Building a new future
7. On composition, conspiracies, and \"dancing in the light of tomorrow\": in conversation with Ricardo iamuuri Robinson
	Notes
	Bibliography
8. The COVID-19 ruptured art world: sustainable elements of structural change for a transformative future
	Registering the structural crisis in policy
	Art worker organizing
	Speculating futures, transforming systems
	Notes
	Bibliography
9. Dancing in the rubble: post-MoMA and otherwise post-pandemic futures
	Abolition as starting place
	Decolonization
	Anti-capitalism
	Anti-imperialism
	Conclusion
	Notes
	Bibliography
Index