Pamuk's Istanbul: The Self and the City

Cover
Endorsement page
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
Acknowledgments
Chapter 1: Imagining Pamuk’s Istanbul
	1.1 City Writing
	1.2 Being Modern
	1.3 Inventing and Refashioning the Self
	1.4 Theorizing the City
	1.5 Space and Place
	1.6 Outlining the Literature
	1.7 Reading this Book
	Notes
Chapter 2: Situating Istanbul
	2.1 Geopolitical History
	2.2 Architecture and the City
	2.3 Reshaping Istanbul
	Notes
Chapter 3: Pamuk’s Fictional Universe
	3.1 Producing the Self
	3.2 Chronotope in Pamuk’s Landscape
	3.3 Heterocosm and Doubling in the Novels
	3.4 Imaginary of Representation
	3.5 Writer as Character
	Notes
Chapter 4: Moving through the Neighborhood
	4.1 The Mahalle s of Istanbul
	4.2 Traversing the City
	4.3 “Not Home” of Coffeehouse and Hotel
	4.4 Framing the City
	Notes
Chapter 5: Flâneur in the City-Museum
	5.1 Fashioning the Flâneur
	5.2 The Unhomely and the Uncanny
	5.3 Literary Flâneur
	5.4 The Flâneur and the Automobile
	5.5 Istanbul as Beloved
	Notes
Chapter 6: Dreaming Objects in the Museum of Innocence
	6.1 House and Home
	6.2 House and Museum
	6.3 Museum and Display
	6.4 Objects of Affection
	6.5 Memorializing the Past
	6.6 Nightmare or Fantasy?
	Notes
Chapter 7: Recording the City
	7.1 Literary Map
	7.2 Performing the Fantastic
	7.3 Reconstitution
	Notes
Appendix: A Life in Words: Maureen Freely on Translating Orhan Pamuk
	Interview with Pallavi Narayan
Bibliography
	Primary Literature
	Secondary Literature
Index