Nuovo Canzoniere Italiano's Bella Ciao

Half Title\nSeries Page\nTitle Page\nCopyright Page\nContents\nAbbreviations of the Archive Funds\nAcknowledgments\nPrologue (in the Form of a Picture)\nIntroduction\n	Chapter 1: A Song, a Show, a Record\n	Chapter 2: Popular Music and Politics in the “Boom” Years\n	Chapter 3: Communism, Ethnomusicology, and Folk Revival\nPart I: The Myth of Bella Ciao\n	Chapter 4: Meet the Nuovo Canzoniere Italiano\n	Chapter 5: One Week in Spoleto\n	Chapter 6: Constructing the Myth: The Countess, the Colonel, the Rice-Picker\n	Chapter 7: Bella Ciao in the Theater: Protest and Distinction\n	Chapter 8: After Spoleto\n	Chapter 9: Bella Ciao on Disc: Antagonism and the Market\nPart II: The Performance of “Real” Folk\n	Chapter 10: Organizing Folk: The Structure\n	Chapter 11: Curating Folk: The Repertoire\n	Chapter 12: “Bella Ciao” of the Partisans\n	Chapter 13: “Bella Ciao” of the Rice-Pickers\n	Chapter 14: Performing Philology: Giovanna Marini’s “Fakes”\n	Chapter 15: Staging Folk: Direction, Sets, and Costumes\n	Chapter 16: Strumming Folk: The Arrangements\n	Chapter 17: Singing and Learning to Sing Folk: The Voices\n	Chapter 18: Sounding Folk: The Studio Recording\nCoda: Us and Them\nNotes\nReferences\nIndex