Neapolitan postcards : the canzone napoletana as transnational subject

Foreword: Neapolitan PostcardsMartin StokesChapter 1: Echoes of NaplesGoffredo PlastinoChapter 2: A Mediterranean Triangle: Naples, Smyrna, AthensFranco FabbriChapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850-1925)Anita PesceChapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-CenturyItalian-American RecordsGiuliana FugazzottoChapter 5: New York City Neapolitan Music from the Calandra Institute's Mark Pezzano CollectionRosangela Briscese and Joseph SciorraChapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the FilmGiorgio BertelliniChapter 7: Diasporic Musings on Veracity and Uncertainties of "Core 'ngrato"Joseph SciorraChapter 8: Napoli in Buenos Aires: From Canzonetta to Tango CancionAna CaraChapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s-1950sPaolo PratoChapter 10: Blues in the Bay: The Bluesology of James Senese and RaizAlessandro Buffa and Iain ChambersAfterword:Neapolitan Postcards and Metaphorical Materiality: Ontologies of IntimacyPhilip V. Bohlman