دسته بندی: فلسفه
ویرایش:  
نویسندگان: Komárek S.  
سری:  
 
ناشر:  
سال نشر:  
تعداد صفحات: 296 
زبان: English 
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود) 
حجم فایل: 2 مگابایت 

قیمت کتاب (تومان) : 35,000

München: LINCOM publishers. 2009. 296 p. ISBN-10: 3929075849; ISBN-13: 978-3929075847. Following the monograph Mimicry, Aposematism and Related Phenomena: Mimetism in Nature and the History of its Study (2003), LINCOM publishers now present a collection of the author's essays on the relation of nature and culture. The relationship of the human and the natural is one of the most important topics of all and represents a wide-ranging set of problems. This book, therefore, is governed by an effort to call attention to some overlooked and forgotten aspects rather than those generally discussed. Also, it is more concerned with a "holonomic" capturing of the human and non-human world than an exhaustive treatment of individual themes. The book is based primarily on the concepts of C. G. Jung and A. Portmann, who see a common root for human creativity and natural creativity, which, in relation to European thought, is a perspective closer to the classical Chinese outlook on nature and society. The organisation of the book is led by the author's conviction of the unity of the human and natural world and its "dramas," and, at the same time, a conviction regarding the precedence of phenomena over remote interpretations of them and an effort to avoid "brutal" reductionism in favour of certain "moderate" reductions. The book addresses the human perception of the world and its relation to language; the problem of anthropomorphism and sociomorphic, biomorphic, and mechanomorphic modeling in our scientific and non-scientific perceptions of nature; parallels between the evolution of artefacts and natural objects; Portmann's natural aesthetic, and other related topics. Are cultural processes antithetical to natural processes, or are they rather a case of "nature carried on by other means?" Table of contents Preface The Relationship between Man and the World as a Psychological Pr oblem Initial Remarks
Box: Dreams
The Unconscious and Consciousness
Archetypes
Box: The Archetypal Foundations of Perceiving the Living World
Persona and Shadow
Animus, Anima, and the “Wise Old Man”
Sublimation and Emotion
Symbol
Synchronicity
Projection and Complexes
Compensation
Concluding Note The Polarity of Human Perception of the World Words and Things Language in Humans and Animals
Words and Names
Words and Sounds
Orwellian Observations
Verbal Magic
Language and Society
Poetry and Metaphor
Box: The Calling of the Prophets
Script and Text
Box: Humour The Doors of Perception The Sense of Sense
Delusion of the Senses
Box: Sensory Vicariance
Box: Time and Space Reduction Language as Reduction
Reduction and Theory
Discreet Reduction and Drastic Reduction
Reduction, Paranoia, Power
Description
The Problem of Anthropomorphism Modelling Biomorphic Modelling
Technomorphic Modelling
Sociomorphic Modelling
Box: Ethics and its Pitfalls Interpretation How Should We Interpret Texts? Interpretation and Power
Signs and Omens
How Should We Interpret Living Organisms? Doctrine and the Bearers of Knowledge The Archaic Intellectual
Institutional and Systematised Knowledge
The Technology of Salvation
Science: Secular Religion?
Box: To What Extent is Modern Natural Science Empirical?
Ecclesiomorphic Structures
Box: Paradigm
Box: Bureaucracy as a Phenomenon The Whole and its Parts
Box: Sex Narrative and the Historical Process Narrative and Myth
Etiological Myths of Evolutionary Theory
History
Why History?
Waylaying the Future
A Brighter Past and Ideal Types Evolution as a Phenomenon Box: The Demiurge The Font of Creativity The Contribution of Adolf Portmann Basic Concepts
The Theatrical Metaphor
Exteriors
Opacity and Transparence
Symmetry
The Function of Surfaces and The Oudemans’ Phenomenon
Patterns
Three-dimensional Structures
The Creative Canon and Exaggerated Structures
The Contribution of Hingston
“Biopower
Rank
Biochromatics
Birdsong and Natural Musicality
The Significance of Portmann’s Legacy Nature and Culture “Fine Tuning” the Human Body and Psyche
The Origin of the Dichotomy of “Nature” and “Culture”
Cultivated and Natural Landscapes
The Dream of Natural Innocence and the Beginnings of Environmental Sentiment
The Nature of Civilisation
Environmentalism and its Intellectual Roots Artefacts and their Evolution Animal Artefacts
Human Artefacts and their Evolution
Human Self-design
Paintings
Box: Art
Linguistic Evolution and Language as Artefact
Folklore as a Phenomenon Domesticated Animals The Nature of Domestication
Domestication and Selection
The Auto-domestication of Man
The Purpose of Domesticated Animals
Box: Mute Creatures
Animals and People as Objects of Representation
Flowers The Nature of Ritual
Conclusion