Musical Identities and European Perspective: An Interdisciplinary Approach (Eastern European Studies in Musicology)

Cover
Table of Contents
Introduction
Music and Identity: Defining ‘Self’ and ‘Other’
	The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era (Rūta Stanevičiūtė)
	Karol Szymanowski and His Concept of Modern Music Culture (Małgorzata Janicka-Słysz)
	From ‘Good Other’ to ‘Ideal Self’: Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century (Paulo F. de Castro)
	Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart (Ivana Perković)
	Defining Identity: In Quest of ‘Lithuanianness’ in Piano Performance Art (Lina Navickaitė-Martinelli)
Unity in Diversity
	Influence, imitation, and the reshaping of identities in European popular music (Franco Fabbri)
	Rock me Lane moje – European Identifications of Transitory Yugoslav/West Balkans’ Identities at the Eurovision Song Contest (Vesna Mikić)
	Memory, Spectacle, and the Image of Songs (Saskia Jaszoltowski)
	The Estonian Singing Revolution: Musematic Insights (Kaire Maimets)
(Re)Conceptualizing Approaches to Music and ‘Europness’
	Short Correspondence between Edgard Varèse and John Cage: Around, about and above ‘organized sound’ (Dragana Stojanović-Novičić)
	The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today (Mirjana Veselinović-Hofman)
	Types of Transtextuality in Selected Works of Serbian Musical Postmodernism (Marija Masnikosa)
	The Musical Text and the Ontology of the Musical Work (Tijana Popović Mladjenović)
List of Contributors