Musical Culture and the Spirit of Irish Nationalism, 1848–1972

Cover
Half Title
Series Page
Title
Copyright
Dedication
Contents
List of Figures
Acknowledgements
List of Abbreviations
Introduction: “Ballads Have Long Lost Their Revolutionary Powers”
PART 1 Nationalism, 1848–1913
	1	“Oh, What Matter, When for Erin Dear We Fall?”: Fenianism, Radical Nationalism and the Irish Soundscape
	2	Appropriating Radicalism: Nationalist Music and Home Rule
	3	Gaelicising “The Seonín Maids of Eirinn”: The Politics of Ireland’s Musical Revivals
PART 2 Revolution, 1913–1923
	4	“Great Men and Straight Men”?: Music, Radicalisation and Revolution, 1913–1921
	5	“Oh, How We Worship Our Dora”: Seditious Singing and British Laws
	6	“We Thought We Fought for Ireland”: Music and the Civil War
PART 3 Independence, 1923–1972
	7	“Three-Quarters of a Nation Once Again”: Music and Party Politics
	8	“Folk Music Alone Will Not Supply Our Needs”: Music and Cultural Nationalism
PART 4 Partition, 1923–1972
	9	“This Morning a Man Was Hanged. This Evening We Had a Concert”: Music, Nationalism and Northern Ireland, 1923–1967
	10	“For the Most Part We Played Rebel Songs”: Music and Civil Rights
	11	“Ireland for the Irish, We Shall Not Be Moved”: Music and the Troubles
PART 5 Dance
	12	Inventing the Irish Dancer, 1848–1923
	13	“Jazzing the Soul of the Nation Away”: Dance and Dissent, 1923–1935
	14	Modernising Irish Dance, 1935–1972
Conclusion: Nationalist Communities, Revolution and Musical Mischief
Bibliography
Discography
Filmography
Index