Music in Nineteenth-Century Britain, Volume III: Thinking about Music

Cover
Half Title
Title
Copyright
Contents
Introduction
Part 1 Music Criticism
	1 Anon. [Richard Mackenzie Bacon], ‘Plan of the Work’ and ‘First Lines of Vocal Criticism’ (1818)
	2 Adelos, ‘Amateur Criticism’ (1824)
	3 Charles Kensington Salaman, ‘On Musical Criticism’ (1875)
	4 Edmund Gurney, ‘Musical Criticism’ (1880)
	5 John Stainer, ‘The Principles of Musical Criticism’ (1881)
	6 Frederick J. Crowest, ‘Musical Criticism’ (1881)
	7 C.V. Stanford, ‘Some Aspects of Musical Criticism in England’ (1894)
	8 John F. Runciman, ‘Musical Criticism and the Critics’, and ‘The Gentle Art of Musical Criticism’ (1894 and 1895)
	9 Ernest Newman, ‘Introduction’ in Gluck and the Opera: A Study in Musical History (1895)
	10 Edward Baughan, ‘The Futility of Criticism’ (1897)
	11 Hermann Klein, Thirty Years of Musical Life in London, 1870–1900 (1903)
	12 Henry Davison, Music during the Victorian Era. From Mendelssohn to Wagner: Memoirs of J.W. Davison (1912)
Part 2 Listening to Music
	13 W.H. [William Henry], ‘Cursory Remarks on Music, Especially on the Sources of the Pleasure Which It Communicates’ (1817)
	14 William Crotch, ‘On the Present State of the Public Taste of this Nation’ (1831)
	15 William Gardiner, ‘On the Faculties of the Ear’ (1832)
	16 Charles H. Purday, ‘Letter to the Editor’ (1836)
	17 Vernon, ‘The Influence of Music on the Public’ (1852)
	18 M. [J.B. Macdonnell], ‘Classical Music and British Musical Taste’
	19 H.R. Haweis, ‘The Listener’ and ‘Planes of Emotion’ (1871)
	20 Edmund Gurney, ‘The Two Ways of Hearing Music’ (1880)
	21 John Stainer, Music in Its Relation to the Intellect and the Emotions (1892)
	22 W.H. Hadow, ‘Faculties of Appreciation’ (1895)
	23 H. Hayes Newington, ‘Some Mental Aspects of Music’ (1897)
Part 3 Music Education
	24 Anne Gunn, ‘Preface’ in An Introduction to Music (1803)
	25 Vetus [Richard Mackenzie Bacon], ‘On the Objects of Musical Education’ (1818)
	26 F.W.H. [F.W. Horncastle], ‘Plan for the Formation of an English Conservatorio’ (1822)
	27 Anon., ‘Musical Tuition’ (1824)
	28 Eleanor Geary, Musical Education; with Practical Observations on the Art of Piano-Forte Playing (1841)
	29 Olivia Dussek Buckley, Musical Truths; or, an Analysis of Music (1843)
	30 Joseph Mainzer, Music and Education (1848)
	31 John Hullah, Music as an Element of Education (1854)
	32 Duke of Edinburgh, Duke of Albany and Prince Christian, Music in England, and The Proposed Royal College of Music: Three Addresses (1882)
	33 John Evans and W.G. McNaught, ‘Order and Manner of Teaching’ (1888)
	34 Bettina Walker, My Musical Experiences (1890)
	35 C.F. Abdy Williams, ‘Development of the Modern Requirements for Musical Degrees’ (1893)
	36 Anon., ‘Mr. J. Spencer Curwen on the Tonic Sol-Fa Notation’ (1895)
	37 Charles Hallé, ‘The Royal Manchester College of Music’ (1895)
Part 4 Theory and Philosophy
	38 George Farquhar Graham, ‘Essay’ in An Account of the First Edinburgh Musical Festival (1816)
	39 William Kitchiner, Observations on Vocal Music (1821)
	40 Anon. [Elizabeth Eastlake], ‘Music’ (1848)
	41 H.S. [Herbert Spencer], ‘The Origin and Function of Music’ (1857)
	42 Henry Wylde, ‘Music in Its Art-Mission’ (1867)
	43 Henry C. Lunn, ‘Descriptive Music’ (1868)
	44 Edmund Gurney, ‘On Some Disputed Points in Music’ (1876)
	45 H.R. Haweis, ‘The Rationale of Music’ (1884)
	46 Richard Wallaschek and James McKeen Cattell, ‘On the Origin of Music’ (1891)
	47 C. Hubert H. Parry, ‘Preliminaries’ In The Art of Music (1893)
	48 Ebenezer Prout, ‘The Relation of Musical Theory to Practice’ (1895)
	49 Samuel Coleridge Taylor, ‘On Music’ (1905)
Index