Music by Subscription: Composers and their Networks in the British Music-Publishing Trade, 1676-1820 (Routledge Research in Music)

Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of figures
List of tables
List of contributors
Library Sigla
Frontispiece
1. Introduction
SECTION 1: The production of musical works by subscription
	2. Thomas Mace and the publication by subscription of Musick’s Monument (1676)
	3. Cecilia Maria Barthélemon’s Three Sonatas, op 1
	4. Maria Hester Park and her subscribers
	5. Publishing music by subscription in eighteenth-century Edinburgh: John Watlen and his collections of Circus Tunes
	6. William Felton and John Pixell: The musical circles of the vicar composer
SECTION 2: The consumption of music published by subscription
	7. Gentry, servants, and musicians: A network of subscribers in north-east England
	8. The music-making of the Bridgeman family, Weston Park
	9. A big data study: Musical societies in subscription lists
	10. Strathspeys, reels, and instrumental airs: A national product
	11. Profiting from the slave economy and subscribing to music: The British experience in the eighteenth century
	12. Foreign composers, the subscription market, and the popularity of continental music in eighteenth-century Britain
Index