Music and the Cultures of Print

Cover
Title
Copyright
Contents
Series Editor\'s Foreword
Introduction
PART I. Printing the New Music
	CHAPTER 1. Printing the \"New Music\"
	CHAPTER 2. Elite Books, Popular Readers, and the Curious Hundred-Year History of the Liber Usualis
	CHAPTER 3. Public Music in Private Spaces: Piano-Vocal Scores and the Domestication of Opera
	CHAPTER 4. Alban Berg Remembers Emil Hertzka: Composer and Publisher between Real and Ideal
Part II. Authors and Entrepreneurs
	CHAPTER 5. Orlando di Lasso, Composer and Print Entrepreneur
	CHAPTER 6. Authors and Anonyms: Recovering the Anonymous Subject in Cinquecento Vernacular Objects
	CHAPTER 7. Enterprise and Identity: Black Music, Theater, and Print Culture in Turn-of-the-Century Chicago
Part III. Music in the Public Sphere
	CHAPTER 8. Bénigne de Bacilly and the Recueil des plus beaux vers, qui ont esté mis en chant of 1661
	CHAPTER 9. Cheap Print and Street Song following the Saint Bartholomew\'s Massacres of 1572
Afterword: Music in Print
Contributors
Index