Music and Orientalism in the British Empire, 1780s-1940s: Portrayal of the East.

Cover
 Half Title
 Title Page
 Copyright Page
 Table of Contents
 List of Figures and Tables
 List of Music Examples
 Notes on Contributors
 General Editor's Series Preface
 Introduction
 I Portrayal of the East
 1 Encountering the Other, Redefining the Self: Hindostannie Airs, Haydn's Folksong Settings and the 'Common Practice' Style
 2 Mamia, Ammani and other Bayadères: Europe's Portrayal of India's Temple Dancers
 3 Musical Renaissance and its Margins in England and India, 1874-1914
 4 Mizrakh, Jewish Music and the Journey to the East
 II Interpreting Concert Music. 5 Granville Bantock and the Orient in the Midlands6 'An Inoffensive Thing': Edward Elgar, The Crown of India and Empire
 7 Patriotic Vigour or Voice of the Orient? Re-reading Elgar's Caractacus
 8 Negotiating Orientalism: The Kaccheri and the Critic in Colonial South India
 III Words and Music
 9 'Violent Passions' and 'Inhuman Excess': Simplicity and the Representation of Non-western Music in Nineteenth-century British Travel Literature
 10 Creative Women and 'Exoticism' at the Last Fin-de-siècle
 11 Tom-toms, Dream-fugues and Poppy Juice: East Meets West in Nineteenth-century Fiction. IV The Orientalist Stage12 Chu Chin Chow and Orientalist Musical Theatre in Britain during the First World War
 13 A Parallel Reading of the 'Oriental' and South American Opera Libretti set by Sir Henry Bishop
 14 Musicking the Other: Orientalism in the Hindi Cinema
 Index.