Music and Mathematics

Front matter (“Sommaire”), p. 1
	
Free Access
	
Music and Model in the Renaissance, p. 9
Philippe Vendrix
https://doi.org/10.1484/M.EM-EB.3.3278
	
	
Ratios and Music in the Late Middle Ages: a Preliminary Survey, p. 23
Oscar João Abdounur
https://doi.org/10.1484/M.EM-EB.3.3279
	
	
Music, Mathematics, and the Rejection of Pansemioticism in the Renaissance, p. 71
Dorit Tanay, Raz Chen-Morris
https://doi.org/10.1484/M.EM-EB.3.3280
	
	
Qu’entend-on par «nombre sourd»?, p. 97
Brigitte Van Wymeersch
https://doi.org/10.1484/M.EM-EB.3.3281
	
	
Music, Mathematics, and Æsthetics: the Case of the Visual Arts in the Renaissance, p. 111
Ann E. Moyer
https://doi.org/10.1484/M.EM-EB.3.3282
	
	
Le passioni e i numeri, p. 147
Brenno Boccadoro
https://doi.org/10.1484/M.EM-EB.3.3283
	
	
Corpo sonoro, geometria e temperamenti. Zarlino e la crisi del fondamento numerico della musica, p. 185
Guido Mambella
https://doi.org/10.1484/M.EM-EB.3.3284
	
	
Applications of Mathematic and Geometry in Galilei’s Dialogo of 1581, p. 235
Claude V. Palisca
https://doi.org/10.1484/M.EM-EB.3.3285
	
	
Simon Stevin and the Calculation of Equal Temperament, p. 253
Rudolf Rasch
https://doi.org/10.1484/M.EM-EB.3.3286
	
	
Il Rinascimento dopo il Rinascimento: scientia musicæ e musica scientia nella Musica di Juan Carmuel Lobkowitz, p. 321
Daniele Sabaino
https://doi.org/10.1484/M.EM-EB.3.3287
	
	
Tempérament mésotonique et représentation, p. 363
Gérard Bougeret
https://doi.org/10.1484/M.EM-EB.3.3288
	
	
Back matter (“Index”), p. 393