Music - Media - History: Re-Thinking Musicology in an Age of Digital Media

Contents\nEditor’s Note\nAn Introduction\n“Living in a Material World,” Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or Not\nThe (Re)Construction of Communicative Pasts in the Digital Age\nThe Narratological Architecture of Musical lieux de mémoire\nBeethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual\nWomen’s Voices in Radio\n‘Real Sound,’ Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality\nSonic Icons in A Song Is Born (1948): A Model for an Audio History of Film\nThe Production, Reception and Cultural Transfer of Operetta on Early Sound Film\nThe Address of the Ear: Music and History in Waltz with Bashir\n“I’ve never understood the passion for Schubert’s sentimental Viennese shit”—Using Metadata to Capture the Contexts of Film Music\nConnecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge’s Televisual Corpus\nModelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation\nPlaying with a Web of Music: Connecting and Enriching Online Music Repositories\nA Few Notes on the Auditive Layer of the Film\nAfterword\nList of Contributors