Music, National Identity and the Politics of Location (Ashgate Popular and Folk Music Series)

Contents......Page 6
List of Figures......Page 8
List of Contributors......Page 10
General Editor’s Preface......Page 14
Acknowledgements......Page 16
Introduction: National Popular Musics: Betwixt and Beyond the Local and Global......Page 18
PART I: POSITIONS......Page 34
1 National Identity and Music in Transition: Issues of Authenticity in a Global Setting......Page 36
2 Where Does World Music Come From? Globalization, Afropop and the Question of Cultural Identity......Page 56
PART II: LOCATIONS......Page 80
3 Voicing Risk: Migration, Transgression and Relocation in Spanish/Moroccan Raï......Page 82
4 Banda, a New Sound from the Barrios of Los Angeles: Transmigration and Transcultural Production......Page 98
5 Rapping at the Margins: Musical Constructions of Identities in Contemporary France......Page 110
6 The Quest for National Unity in Uyghur Popular Song: Barren Chickens, Stray Dogs, Fake Immortals and Thieves......Page 132
7 The Singer and the Mask: Voices of Brazil in Antônio Nóbrega’s Madeira Que Cupim Não Rói......Page 160
8 Popular Music, Tradition and Serbian Nationalism......Page 178
9 Those Norwegians: Deconstructing the Nation-State in Europe through Fixity and Indifference in Norwegian Club Music......Page 196
Afterword......Page 208
B......Page 222
C......Page 224
F......Page 226
H......Page 227
L......Page 228
M......Page 229
N......Page 230
R......Page 231
S......Page 233
Z......Page 236
Bibliography......Page 238
B......Page 256
C......Page 257
D......Page 258
F......Page 259
H......Page 260
K......Page 261
M......Page 262
N......Page 263
P......Page 264
R......Page 265
S......Page 266
V......Page 267
Z......Page 268