Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
Introduction
PART I: Collective Memory and (Trans-)Nation
	1 A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film
	2 Which People’s Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis’s Riso amaro (1949, Bitter Rice)
	3 Phantoms of Italian Opera—Cultural Memory in Italian and (West) German Films
	4 A Bridge Too Far? Music in the British War Film, 1945–80
PART II: Trauma and Survival
	5 Hidden in Plain View: The Music of Holocaust Survival in Poland’s First Post-war Feature Film
	6 Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit’ko’s Voskhozhdenie (1977, The Ascent)
	7 Fugue States: Music, Memory, and Trauma in Alain Resnais’s Early 1960s Films
	8 Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell
PART III: Nostalgia, and the Impossible Returns Home
	9 Decomposing Heroism: Rolf Wilhelm’s Music for Radetzkymarsch (1965)
	10 The Music of Sacrificial Acts: Displacement, Redemption, Beethoven, and Verdi in Andrei Tarkovsky’s Nostalghia (1983)
	11 “Chopin Meant Everything to Us Then”: Chopin Nostalgia in Polish Cinema, 1944–91
	12 Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir
Contributors
Index