Museums and Mass Violence

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of Figures
List of Contributors
Foreword
Series Editors’ Introduction
Introduction
Section I: Mobilizing Memory in the Wake of Atrocity
	1 Remembering and Prosecuting Atrocities in Argentina: The ESMA Memory Museum
	2 Recovering Silenced Pasts: Representation of Racial Violence in Montgomery’s Legacy Museum and Tulsa’s Greenwood Rising
	3 Promise and Challenges of Digital Memorialization in Museums
	4 Difficult Knowledge as Bequest: Implementing the “Terrible Gift” in Exhibition at the Former Shingwauk Indian Residential School
Section II: Designing Exhibitions of Difficult Knowledge
	5 “You’d Have to See It to Believe It”: Commodifying Trauma at a Museum Near You
	6 Designing ‘Difficult’ Exhibitions: Strategic Design for Representing Testimonies of Trauma
	7 Future Foundations: Designing around Sites of Trauma and Resilience
	8 Perils of Working with an Inconvenient Truth: Exhibiting Hutu Rescuers in Rwanda
Section III: Encountering Violence and Nonviolence in Museum Collections
	9 “I Remember Her”: Challenging and Reclaiming Archival and Museum Spaces through the National Inquiry into Missing and Murdered Indigenous Women and Girls
	10 Silence or Bravery: Swedish Museums Facing Contemporary Mass Atrocities in China and Myanmar
	11 Picture This: Social Memory and the Tuol Sleng Photographs in Museum, Commercial, and Virtual Spaces
	12 From War Materiel to Peace Pathways: Changing Visions for Global Peace Museums
Afterword: Do We Need to Decolonize Museums of Mass Violence?
Index