Museum Digitisations and Emerging Curatorial Agencies Online: Vikings in the Digital Age

Acknowledgements
Contents
About the Authors
List of Figures
List of Tables
Chapter 1: Introduction
	Approaching Curatorial Agency
		The Confluence of Museums and Societies
	Caring for a Collection Attributed to Vikings
	References
Chapter 2: Curatorial Challenges: Discussion Forums and Fragmented Narratives
	Archaeology Forum, 2004–2009
	Separate Forums: Different Viking Ages, 2010–2015
	Antagonistic Argumentation, 2016–2020
		Debating Female Warriors
		Curatorial Challenges
	References
Chapter 3: Tales of the Viking Helmet: Narrative Shifts from Museum Exhibitions to Personalised Search Requests
	Exhibitions, Search Engine Result Pages and Media
	The Swedish History Museum, the Viking Helmet and Media
	Personalisation, Museum Curation and Search Engine Result Pages
	SERP Method
	Research Results: The Tor Browser
	Research Results: The Personalised Browser and the Impact of Language and Location
	Conclusion
	References
Chapter 4: Viking Jewellery on Pinterest: Drifting Digitisations and Shared Curatorial Agency
	Studying an Endless Flow of Pins
	Thor’s Hammers, Masculinity and Transnational Vikings
	Jewellery Sets, Femininity and Reenactment
	From Historical Evidence to Ethnic Fashion
	Machine Learning Models for Pins and Pinners
	Shared Curatorial Agency and Drifting Pins
	Conclusion
	References
Chapter 5: Technospheric Curation and the Swedish Allah Ring: Refiguring Digitisations and Curatorial Agency as Ecological Compositions, and Eco-curating as Planetary Inhabitations
	Refiguring the Optics
	Digitisations as a Humanist Form
	The Digitisation of the Allah Ring as More-than-Human Ecological Compositions
	Refiguring Curatorial Agency as Dynamic, More-than-Human, Eco-curating Processes
	The More-than-Digital Allah Ring as Technospheric Heritage
	Concluding Remarks
	References
Chapter 6: Conclusion
	References
Index