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ویرایش:
نویسندگان: Alberto Godioli (editor). Carmen Van Den Bergh (editor)
سری:
ISBN (شابک) : 9004549676, 9789004549678
ناشر: Brill Academic Pub
سال نشر: 2023
تعداد صفحات: 320
زبان: English
فرمت فایل : PDF (درصورت درخواست کاربر به PDF، EPUB یا AZW3 تبدیل می شود)
حجم فایل: 33 مگابایت
در صورت تبدیل فایل کتاب Modernism Beyond the Human: Transnational Perspectives (Critical Posthumanisms, 4) به فرمت های PDF، EPUB، AZW3، MOBI و یا DJVU می توانید به پشتیبان اطلاع دهید تا فایل مورد نظر را تبدیل نمایند.
توجه داشته باشید کتاب مدرنیسم فراتر از انسان: چشم اندازهای فراملی (پس از انسان های بحرانی ، 4) نسخه زبان اصلی می باشد و کتاب ترجمه شده به فارسی نمی باشد. وبسایت اینترنشنال لایبرری ارائه دهنده کتاب های زبان اصلی می باشد و هیچ گونه کتاب ترجمه شده یا نوشته شده به فارسی را ارائه نمی دهد.
Front Cover Half Title Series Information Title Page Copyright Page Contents List of Figures Notes on Contributors Introduction References Part 1 Modernism and the Nonhuman Chapter 1 Prefiguring Modernist Posthumanism: Baudelaire, Rimbaud and the Objectification of the Lyric Self 1 Baudelaire, Rimbaud, and the Humanist Tradition 2 From “Subjective” to “Objective” Poetry; or, from the Human to the Posthuman References Chapter 2 Becoming-Digit: Valentine de Saint-Point’s Posthumanist Futurism 1 Metachoric Performance: Virtual Geometry and Saint-Point’s Posthumanism 2 Saint-Point’s Posthuman Futurism as Performance Art: the Multimedia Body-Digit Acknowledgments References Chapter 3 Politics of Identity: Giuseppe Ungaretti’s Poetry of the Great War between Nomadic Subjectivity and Performative Realism 1 Introduction 2 Nomadic Identity 3 Nomadic Ethics 4 Nomadic Memories and the Life-Death Continuum 5 Some Conclusions: an Intra-action of Performative and Nomadic Identities References Chapter 4 Variations on “Maquinismo”: Looking beyond the Human in Ramón Gómez de la Serna’s Writings 1 “Maquinismo” and the Non-human Art 2 Radio Waves, Atoms and Voices beyond the Human References Chapter 5 The Tender Being of Something Else: Geography and Lists in Gertrude Stein’s Ida 1 Listing beyond the Human 2 Movement, “Nature,” and the Accumulation of Lists 3 The Intrusive States of America 4 Impersonal Being, Negation, and Affirmation 5 Conclusion Acknowledgements References Chapter 6 Samuel Beckett and Modernist Vitalism 1 Introduction 2 The Subject/Object (Non)Relation 3 The Inhuman 4 An Orgy of False Becoming 5 Conclusion References Part 2 Modernist Animals Chapter 7 Rumination of a Serbian Ox: Radoje Domanovic’s Satire of Anthropocentric Folly 1 Context and Overview 2 Irrational Humans: Analysis of The Leader, A Mark, and I Do Not Understand 3 A Thinking Animal: Analysis of Rumination of a Common Serbian Ox 4 Conclusion: Domanović between Serbian Literature, Russian Classics and Western Modernism References Chapter 8 “Come se”: Transcending the Human-Animal Divide in Pirandello’s Short Stories 1 Introduction 2 Human and Animal: Interspecies Relations from Woolf to Pirandello 3 Animal Consciousness: Narrative Empathy 4 Mediated Empathy: Translating Animal Experience 5 Human-Animal Gap: Defamiliarization 6 Conclusion References Chapter 9 Modernist Exiles: the Berlin Years of Viktor Shklovsky, Aleksei Remizov, and the Masturbating Ape References Chapter 10 “Brandishing Her Plumes”: Virginia Woolf, Feather Tropes, and the Plumage (Prohibition) Bill 1 Posthumanism 2 Virginia Woolf and “The Plumage Bill” 3 “The Plumage Bill” and Imperial Feminism 4 Tracing Woolf’s Feather Tropes 5 Imperial and Military Plumes 6 India and Plumage in Mrs. Dalloway 7 Pluming Orlando: A Biography References Chapter 11 Posthumanism avant la lettre: Robert Musil’s The Man without Qualities and the Boundaries of Humankind 1 Humankind and Modernity 2 The Boundaries of Humankind 2.1 Zoology 2.2 Ethnology 3 Posthumanist Narrative Form 4 Contextualizing and Transgressing the Concept of Man(kind) References Chapter 12 Animals and Logos in Samuel Beckett’s Molloy, Malone Dies, and The Unnamable 1 Unsanctifying Logos as Speech and Reason 2 Mastery over One’s Environment and Objective Knowledge 3 Mastery over One’s Language and through Language 4 Logos as Ground 5 Pure Humans 6 Toward Humbler Viewpoints 7 Conclusion References Chapter 13 Towards an Interpretation of a Modernist Bestiary in Color: Palazzeschi’s Bestie del 900 and Maccari’s Illustrations 1 Introduction 2 A Four-Handed Masterpiece 3 Palazzeschi’s 20th-century Bestiary: Ways of Reading 3.1 The Individual and Its Contrast with Society 3.2 Power Relations 4 Gestalt Theory and the Interpretative Function of Images 5 The Hybrid as an Interpretative Category References Index Back Cover