Medieval literary voices: Embodiment, materiality and performance

Front matter\n	Cover\n	Half Title\n	Series Page\n	Title Page\n	Copyright Page\n	Dedication\nContents\nList of figures and tables\nList of Contributors\nPreface\nAbbreviations\nIntroduction\nArticulate voices\nPart I: Narrative embodiment and voicing\n	Voice of authority: free indirect discourse in Chaucer’s General Prologue\n	Speaking in person\nPart II: Authoritative, ethical and orthodox voices\n	The body speaks in The Franklin’s Tale\n	The sensology of the moral conscience: William Peraldus’s ethical voices\n	Langland parrhesiastes\nPart III: Materiality and textual voices\n	Margery Kempe, the leprous woman and the voice of St Paul\n	Listening for the scribe: punctuation and the voicing of late medieval devotional literature\n	Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66\nPart IV: Performative voices and medieval aurality\n	Voice, materiality and history in St Erkenwald and Egils saga Skallagrímssonar\n	Embodying the Mandevillean voice\n	Reconstructing Christine de Pizan’s musical voice in the twenty-first century\nAfterword: medieval voice – a tribute to David Lawton\nBibliography\nIndex