Mediations of Disruption in Post-Conflict Cinema

Front Matter....Pages i-xiv
Introduction: Towards a Poetics of Conflict in Film....Pages 1-18
Front Matter....Pages 19-20
Post-conflict Cinema: Beyond Truth and Reconciliation?....Pages 21-42
The Sovereign’s Broken Voice. On the Cinematic Politics of Representation....Pages 43-59
 Long Is the Road: Politics of Memory in an Early Jewish-German Postwar Film....Pages 61-73
Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978)....Pages 75-91
‘What’s This War in the Heart of Nature?’ Fire, Water, Earth and Air in Terrence Malick’s The Thin Red Line ....Pages 93-105
Front Matter....Pages 107-109
The Trauma of Terrorism: Post 9/11 Hollywood Cinema....Pages 111-122
A Letter to Osama bin Laden. On Healing and Conciliation in Sharon Maguire’s Incendiary ....Pages 123-135
Memory and Representation: Japanese Terrorism in Distance and United Red Army ....Pages 137-144
Narrative Outbreak in Contemporary Conflict Cinema: A Case Study of Steve McQueen’s Hunger ....Pages 145-156
Front Matter....Pages 157-159
A Look Back or a Look Ahead? Cinematographic Approaches Toward the ‘Refugee Problem’ in Post-War Germany....Pages 161-176
 Londres en Colère. Of ‘Translated (Wo)men’, Cinema and the City of Our (Dis)content....Pages 177-186
A Palestinian Film We Call Home: Women’s Cinematic Bodies Out of Place....Pages 187-193
Challenging Notions of War: Sexual Exploitation of Eastern Migrants in Promised Land ....Pages 195-206
Back Matter....Pages 207-219