Mapping Art Collecting in Europe, 1860-1940

Frontmatter
	Cover
	Mapping Art Collecting in Europe, 1860–1940
	Imprint
	Contents
	Series Acknowledgement
	Preface
Chapter 1 Introduction: The Fall and Rise of the Psychology of Collecting: Historiographical Reflections
Part I Aristocracy: Art Collecting in the Twilight Era
	Chapter 2 Aristocracy and Contemporary Art: Count Edward Aleksander Raczyński and the Question of Aristocratic Collections at the Turn of the Nineteenth and Twentieth Centuries
	Chapter 3 An Enlightened Amateur: Prince Wladimir Argoutinsky-Dolgoroukoff (1874–1941): A Private Collector in St. Petersburg at the Beginning of the Twentieth Century
	Chapter 4 Collecting and Recollecting: Recuperating Family Memory in the House of Alba
Part II Modern Reinterpretations
	Chapter 5 Feliks Jasieński: A Collector and ‘Artistic Activist’
	Chapter 6 Paul Gallimard (1850–1929): A ‘Dandy Collector’ in Paris at the Fin de Siècle
	Chapter 7 She “Who Does Only What She Wants and Wants Only What She Must”: Adèle Caussin, Marquise de Landolfo-Carcano (1831–1921), Demimondaine and Collector
	Chapter 8 A Museum Curator, Art Collector and ‘Guardian’ of the National Heritage: Camille Gronkowski’s Donations to the Polish Historical and Literary Society in Paris
	Chapter 9 A Modern Collector of Traditional Art: The Bourgeois Art Collection of Max Bram and its Role in the National Socialist Art World
	Chapter 10 Old vs. New Middle Class: Collecting Identity in Interwar Central Europe as a Study Concept
Part III Art and the Art of Collecting
	Chapter 11 Auguste Rodin, a Pivotal Collector: in Search of Recognition and Filiation
	Chapter 12 Collectible Object, Collecting Media: The Print Portfolio as Marker of Evolving Art Collecting Practices in Germany and Austria, 1880–1930
	Chapter 13 A Passion for Dessins: Reputation and Rivalry in the 1879 L’École des Beaux-Arts’ Exhibition of Drawings from Private Collectors
Part IV Art and Acculturation: Jewish Collectors
	Chapter 14 Between Art Dealing and a Collector’s Passion: Abe and Bernard Gutnajer’s Activity in Interwar Warsaw
	Chapter 15 Seeking a Sense of Belonging: Warsaw Collectors of Jewish Origin and their Collections of Polish Art, 1880–1939
	Chapter 16 Inventing a Secular Jewish Identity in the Late Nineteenth Century: Collections of Jewish Ritual Objects
	Chapter 17 ‘The Finished Song’ of Róża Aleksandrowicz: Emancipation Through Art Collecting
Part V Museums and Institutionalised Collections
	Chapter 18 Ancient Roots of Europe: Heinrich Dohrn Jr. and His Antique Collection for the City Museum in Stettin
	Chapter 19 Displaying Nation and Region: Bourgeois Foundations of Museums in Nineteenth-Century Germany
	Chapter 20 Reforms and Contradictions: New Museums of Modern Art in the Netherlands, 1908–1946
Backmatter
	Notes on Contributors
	List of Illustrations
	Index