Making Worlds: Global Invention in the Early Modern Period (UCLA Clark Memorial Library Series)

Cover\nHalf-Title Page\nTitle Page\nCopyright Page\nContents\nList of Illustrations\nAcknowledgments\n1 Introduction\nPart I: Material Flows\n	2 The Early Modern Fold: Pleated Media in Japan’s Encounter with Europe\n	3 From Textile to Text: Cloth, Slavery, and the Archive in the Dutch Atlantic\n	4 Drawing Worlds: Bodies and Smoke in the Courtly Ballet Il Tabacco (1650)\n	5 From Hot Reverence to Cold Sweat: Christian Art and Ambivalence in Early Modern Japan\n	6 Eggs, Cheese, and (Francis) Bacon\nPart II: In-Between Spaces\n	7 The Production of Imprecision: Reframing Non-EuropeanObjects in Early Modern European Collections\n	8 Le Jeu du monde : Games, Maps, and World Conquest in Early Modern France\n	9 The World Contained in an Imperial Ottoman Album\n	10 World Building, the Folger Folios, and the University of British Columbia\nPart III: Other Worlds\n	11 Ascetic Ecology: Landscape of a Desert Saint\n	12 The End of All: Worldliness, Piety, and the Social Life of Maps in the Post-Reformation English Household\n	13 Enlightenment Cosmology: A Medialogical Interpretation\n	14 Masked Alliances: Global Politics and Economy in the Artand Performance Rituals of Mexico’s Indigenous People\n	15 Unease with the Exotic: Ambiguous Responses toChinese Material Culture in the Dutch Republic\nList of Contributors\nIndex