Listening to Others Eduardo Coutinho's Documentary Cinema

Contents
List of Illustrations
Introduction: Listening to Others in Eduardo Coutinho’s Documentary Cinema
	Notes
	Works Cited
Part I. Media Ecologies
	1. Coutinho’s Ecology: Space, Place, and the Disappearing Location 19
		“De fora para dentro”: ethnography and the journey-form
		“De dentro para fora”: testimony and the crisis of place
		Notes
		Works Cited
	2. Returning to the Sertão in the Films of Eduardo Coutinho
		The sertanejo in Cinema Novo: Vidas secas and Deus e o diabo na terra do sol
		Coutinho’s sertão: Cabra marcado para morrer and O fim e o princípio
		Why Return to the sertão?
		Notes
		Works Cited
	3. The Audiovisual Record and the Corporeal Present: Another Dialogue in Eduardo Coutinho’s Cinema of Conversation
		Participant Reflexivity: A First-Person Cinema of the Other
		Diachronic Image/Body Encounters and Archival Thresholds
		Conclusion
		Notes
		Works Cited
Part II. Politics and the Documentary Image
	4. From CPC to Videofilmes: Eduardo Coutinho’s Trajectory as a Political Filmmaker
		Coutinho’s Early Years: Political Engagement with the CPC
		Globo Repórter as Coutinho’s Documentary School
		A Masterpiece and Some Experiments: The Years of Cabra marcado and CECIP
		The Videofilmes Collaborations and the Maturation of Coutinho’s Style
		Concluding Thoughts
		Notes
		Works Cited
	5. Cinema of/as Garbage: Eduardo Coutinho’s Politics of Image from Jogo de cena to Boca de lixo
		Jogo de cena: A Non-illustrative Image and a Dispossessed Subjectivity
		A Spectral Presence
		Boca de lixo: From the Image of Garbage to the Image as Garbage
		Portraits and Names
		The Pensive Image
		Image and Politics: The Image as Garbage
		Notes
		Works Cited
	6. Eduardo Coutinho and Globo Repórter: Between Social Documentary and the Mass Media in Dictatorship-Era Brazil
		Globo Repórter: Institutional Origins, Opportunities, and Constraints
		Eduardo Coutinho at Globo Repórter
		Coutinho’s Telefilms: Circulation, Reception, Afterlives
		Notes
		Works Cited
Part III. Performing the Self and Others
	7. Um dia na vida: Copy, Enunciation, Chatter
		A Cinema of the Spoken Word
		A Mosaic of Infinite Facts
		Language, Potential
		Note
		Works Cited
	8. To Act or to Act: Present, Presence, and Representation in Eduardo Coutinho’s Jogo de cena
		Who’s There?
		Person, Persona
		Fiction’s Back Door
		Notes
		Works Cited
	9. Song, Self, and Sound in Eduardo Coutinho’s Cinema
		The Search of a Voice: Cabra marcado para morrer
		Song and Self: From Boca de lixo to As canções
		Listening to Images: The Echo of the Subject and the Acoustic Unconscious
		Notes
		Works Cited
Part IV. On Time and Endings
	10. Open Futures: On Ends and Endings in the Conversational Documentaries of Eduardo Coutinho and Errol Morris
		I
		II.
		III.
		IV.
		V.
		VI.
		Notes
		Works Cited
	11. Parting Glances: The Posthumous Coutinho
		The Beginning of the End
		Taking Care of Appearance
		The Personagem Appears
		The Transitive Politics of Cine-Catalysis
		Notes
		Works Cited
	12. The Right Moment: Kairos and the Documentary Cinema of Eduardo Coutinho
		The Right Moment
		The Occasion and the Archive
		Performance and Artifice
		Kairos and Ethics in Coutinho’s Cinema
		Notes
		Works Cited
Part V. Coutinho in His Own Words (translations by Flora Thomson-DeVeaux)
	Introduction
		Works Cited
	13. Gaze in Documentary: Statement/Letter to Paulo Paranaguá
	14. The Melancholy of Twilight
		Notes
	15. A Latin Hollywood in Search of Markets
		The Mechanisms
		Rumbas and Villains
		The First Crack
		Note
	16. A Chess Match Between Death and the Knight
		Darkness and Blood
		Play and Screenplay
		The Angel and the Knight
		Visions and Dreams
Part VI. Critical Insights from Coutinho’s Contemporaries (translations by Flora Thomson-DeVeaux)
	Introduction
	Works Cited
	17. On the Film That Never Was
	18. Brazil by Our Own Selves
	19. Mouth Full of Trash
	20. Victory Over the Ash Heap of History 341
		Note [2003]
		Note
	21. Jogo de cena
		The Documentary Boom (July 31, 2009)
		Moscou (August 6, 2009)
		Moscou 2 (August 12, 2009)
		Eduardo Coutinho & Sophie Calle—2 (August 13, 2009)
		Eduardo Coutinho & Luiz Ruffato (February 26, 2010)
		Coutinho & Paul Ricoeur
		Jogo de cena 2 (August 26, 2011)
		Notes [2013]
Contributors
Index