Jungian Metaphor in Modernist Literature: Exploring Individuation, Alchemy and Symbolism

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of Abbreviations
Permissions credits
Acknowledgments
Foreword
	References
Chapter 1: Introduction: The return of Jung
	Common critiques of Jung
	Revisions of Jung’s theories
	Notes
Chapter 2: Jung, psychoanalysis, and the great divide
	Overall view of Jungian theory
	Jung and Freud
	Notes
Chapter 3: Literary Jung
	Jung in the literary field
	A Jungian poetics
	Poetry and alchemy
	H.D., Yeats, and Joyce
	Notes
Chapter 4: Alchemy as poetic metaphor in H.D.’s Trilogy
	H.D.’s poetics and Jung
	H.D. and the feminist revision of Jung’s theory
	H.D.’s feminist poetics and Rimbaud’s alchemy of the word
	Notes
Chapter 5: Between Yeats and Jung: The poetics of a Jungian paradigm
	A ritualistic poetics
	A Vision: the visionary and the visual
	Summary
	Notes
Chapter 6: Alchemy of the word in Joyce’s A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake
	Ulysses: The alchemy of individuation between text and meta-text
	A Portrait of the Artist as a Young Man: The different phases of the anima
	The mythic method, art, and the hero’s journey toward archetypes
	Stephen as a symbolist “hero”
	Stephen and the collective unconscious in magic, memory, and naming
	Finnegans Wake: Alchemy and antinomy
	Finnegans Wake and the “scientific” aspect of verbal alchemy
	Notes
Chapter 7: Conclusion
	H.D.’s verbal alchemy
	Yeats’s visionary alchemy
	Joyce’s textual individuation
	Concluding summary
	Notes
Bibliography
	Primary sources
	Secondary sources
Index