Jewish-Muslim Interactions: Performing Cultures between North Africa and France

Cover
Contents
Illustrations
Acknowledgements
Introduction
I. Accents, Affiliations, and Exchange
	1 Albert Samama, a Tunisian Filmmaker in the Ottoman Empire at War (1911–1913)
	2 More than Friends?
On Muslim-Jewish Musical Intimacy in Algeria and Beyond
	3 Nationalist Records: Jews, Muslims and Music in Interwar North Africa
	4 Marie Soussan: A Singular Trajectory
	5 Retelling the Jewish Past in Tunisia through Narratives of Popular Song
	6. Free but United? Artistic and Political Issues of Intercommunal Solidarity in Tunisi and Algeria, 1940–1960
II. Absence, Influence, and Elision
	7  Neglected Legacies: Omissions of Jewish Heritage and Muslim-Jewish Relations in Algerian Bandes Dessinés 1967 through the 1980s
	8 Forgotten Encounters: Sounds of Coexistence in Moroccan Rap Music
	9 Unmuted Sounds: Jewish Musical Echoes in Twenty-first Century Moroccan and Israeli Soundscapes
	10 Connecting the Disconnect: Music and its Agency in Moroccan Cinema’s Jewish-Muslim interactions
	11 Jerusalem Blues: On the Uses of Affect and Silence in Kamal Hachkar’s Tinghir–Jérusalem: Les échos du Mellah (2012)
	12 A Newfound Voice from across the Mediterranean: Kamal Hachkar’s Dan tes yeux, je vois mon pays (2019)
	13 Creative Coexistence or Creative Co-resistance? Transcultural Complexity in the Work of Street Artist ‘Combo’
	14 Shalom alikoum! Challenging the Conflictual Model of Jewish-Muslim Relations in France through Stand-up Comedy
15 Post-face
16 Afterword
About the Contributors
Index