Jane Campion: Filmmaker and Philosopher

Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
Figures
Chapter 1: Is Campion a “Feminist Filmmaker” and Has This Question Become Obsolete?
	Campion, the Once Rare Case of a Female Auteur
	Campion as a Philosophical Filmmaker
Chapter 2: The Transgressive Gaze: Early Shorts and Mid-Career Features 1982–2009
	Peel, 1982
	A Girl’s Own Story, 1984
	After Hours, 1984
	Sweetie, 1989
	Holy Smoke! 1999
	The Transgressive Gaze
Chapter 3: Women’s Sexual Freedom: First Feature, and Mid-Career Features 1986–96
	2 Friends, 1986
	An Angel at My Table, 1990
	The Piano, 1993
	The Portrait of a Lady, 1996
	The Embodied Gaze
Chapter 4: The Redefining Gaze: Late-Career Features and Television Productions 2003–21
	In the Cut, 2003
	Top of the Lake, 2013–17
	The Power of the Dog, 2021
	The Redefining Gaze
Chapter 5: Conclusion: Jane Campion and the Twenty-First-Century Revolution of Female Auteurship
Notes
Bibliography
Index