J. M. Coetzee and the Archive: Fiction, Theory, and Autobiography

Cover\nHalf Title\nTitle\nCopyright\nContents\nFigures\nTables\nContributors\nAcknowledgements\nIntroduction: Fiction, theory and autobiography\nPart One Authorship and autre-biography\n	1 Landmarks: Reading Coetzee’s maternal lines (Kai Easton)\n	2 Summertime sadness: Coetzee, coordinates and the negation of the archive (Shaun Irlam)\n	3 On the loss of fathers and letters: Reading Summertime and The Childhood of Jesus alongside Jacques Derrida’s Archive Fe\nPart Two History, politics and the archive\n	4 Writing, politics, position: Coetzee and Gordimer in the archive (Andrew van der Vlies)\n	5 Out of the dark chamber: Violence and desire in the textual history of Waiting for the Barbarians (Hermann Wittenberg)\nPart Three Archival methods: Practice, data, process\n	6 ‘Humming with fear of sincerity and fabulator’: First observations from the Coetzee Corpus and the Coetzee Bot (Peter Johnst\n	7 Coetzee, the archive and practice research: On reflection (Michael Cawood Green)\nPart Four On literary objects: Form and style in the archive\n	8 Archival realism: Elizabeth Costello, Disgrace and the realm of revision (David Isaacs)\n	9 In pursuit of style: Coetzee reading Beckett in the archive (Paul Stewart)\nPart Five Philosophy and the archive: Between life and truth\n	10 ‘The aura of truth’: Coetzee’s archive, realism and the problem of literary authority (Marc Farrant)\n	11 Coetzee, biopolitics and the archive of impersonality (Richard A. Barney)\n	12 Shades of the archive: J. M. Coetzee, the paradox of poetic sovereignty and the lives of literary beings (Russell Samolsky\nPart Six Conversations with Coetzee\n	13 Waiting for the Barbarians and the origins of Incoming (Richard Mosse)\nIndex