Italian Jewish Musicians and Composers under Fascism: Let Our Music Be Played (Italian and Italian American Studies)

Contents
Notes on Contributors
Abbreviations
List of Images
Chapter 1: Introduction
	Bibliography
Chapter 2: Forms and Methods of Anti-Jewish Persecution in Fascist Italy from 1938 to 1943
	Bibliography
Chapter 3: Cultural Cleansing in Italian Music Criticism in the Early 1930s: Autarchy, Eugenics and Anti-Semitism
	Music in the Context: Exploring the Semantic Axes of the Racist Criticism Rhetoric Rationale
	Conclusions
	Bibliography
		Primary Sources
		Secondary Sources
Chapter 4: Jazz in Fascist Italy: Social Impact, Politics, and Racism
	Jazz in the Land of ’O Sole Mio
	Jazz, Politics, and Racism
	Racism Turned into Anti-Semitism
	Entertainment and War
	Conclusion
	Bibliography
Chapter 5: La Scala, the Jews and Erich Kleiber: An Anti-Semitic Episode of December 1938
	Introduction
	Kleiber and La Scala Theatre in December 1938
	Behind the Scenes and Development of a Protest
	Bibliography
Chapter 6: Music in Transit: The Exile of Italian Jewish Musicians from Fascist Italy
	Introduction
	Massarani and Volterra Before the Exile
	Jewish Musicians Facing the Racial Laws
	Experiences of Exile in the Host Country: A Comparison between Volterra and Massarani
		Gualtiero Volterra
		Renzo Massarani
	Some Final Considerations
	Archival Sources
	Bibliography
Chapter 7: “Wir treffen uns am Schluss” (We Shall Meet at the End)—Kurt Sonnenfeld (1921–1997) at Ferramonti: The Persecution, the Exile, the Internment, the Music
	Introduction
	The Ferramonti Camp
	Bibliography
Chapter 8: An Expedient Alliance? Musical Relationships between Nazi Germany and Fascist Italy in the period between 1933 and 1945
	Bibliography
Index