Innovative Technology in Art Conservation: Original Appearance and Viewer Perception

Cover
Half Title
Series
Title
Copyright
Contents
Preface
1 Introduction – conservation science and conservation ethics
	1.1 Originality and art conservation
	1.2 Conservation codes of ethics
	1.3 Brief history of science-based conservation
	1.4 Innovative technology in art conservation
	1.5 Summary of Chapter 1
2 Original appearance, perception, and eye-tracking
	2.1 The search for originality, authenticity, and original appearance
	2.2 Looking at and perceiving art
	2.3 Eye-tracking
	2.4 Summary of Chapter 2
3 Color
	3.1 Color science
	3.2 Color is language
	3.3 The philosophy of color
	3.4 Retouching monochrome paintings
	3.5 Summary of Chapter 3
4 Surface texture and appearance
	4.1 The “real” appearance of things
	4.2 Gloss measurements
	4.3 Roughness measurements
	4.4 Texture mapping and 3D microscopy
	4.5 Case studies
	4.6 Summary of Chapter 4
5 Digitization and reproduction technology
	5.1 Rendering
	5.2 Digital reproductions of works of art
	5.3 Virtual retouching
	5.4 Digital reproductions and light
	5.5 The dark side
	5.6 Summary of Chapter 5
6 The future – a new reality
Index