Hymns and Constructions of Race: Mobility, Agency, De/Coloniality

Cover
Half Title
Series
Title
Copyright
Contents
List of Figures
List of Tables
Acknowledgments
Notes on Contributors
1 Introduction: Constructing Hymns and Race
2 Tonic Sol-fa Abroad: Missionaries, Hymn-Singing, and Indigenous Communities
3 Global Mobility: Hymns and Worship Practices in the Miao (Hmong) Ethnic Group of Southwest China
4 Complicating the Analysis of Chinese Christian Hymns: White Racial Frameworks in the Works of Emily Kathleen Hooper (胡秉道 Hu Bingdao, 1878–1974)
5 “Wash the Ethiop White”: Whiteness and Salvation in the Hymns of Charles Wesley
6 Colonialism, Anglican Ritualism, and Xhosa Hymnody: The Training, Career, and Contribution of Reverend Daniel Malgas
7 We Become What We Sing: Hymnody as Control
8 Co-Writing a Hymn for Liberation
9 Performing Race and Place through Congregational Singing: Perspectives from South Brazil
10 Translation and Endurance: Cherokee Hymnody and the Acculturation of Christianity
11 Sounding Coloniality/Voicing Resistance
12 Decolonizing a Hymn through Its Mobility: A Case of Re-Location and Altered Musical Aesthetics
13 Hymns as Heritage: Decolonizing Javanese Music and Culture in Paramaribo, Suriname
14 Reconstructing Hymn Canons through International Partnership: The Nigerian Christian Songs Project as Cultural Archive, Pedagogical Tool, and Decolonial Resource
Afterword: Singing Down the Dividing Walls
Index