Hybrid Documentary and Beyond

Cover
Half Title
Series
Title
Copyright
Dedication
Contents
Acknowledgements
Introduction: hybrid documentary and beyond
Part I Overview: hybrid documentary theory and the truth
	1 What are hybrid documentaries?: re-contextualising the hybrid documentary in theoretical contexts, challenging the non-fiction–fiction definition
	2 Documentary and the obsession with definitions: identifying the traits of hybrid documentary through classic 20th-century antecedents
	3 What is the truth?: beyond the non-fiction–fiction blur, using philosophical, ethical frameworks to communicate the truth in hybrid documentary and beyond
Part II Praxis: why make hybrid documentaries?: methodology, ethics and impact
	4 A model for teaching hybrid documentary workshops
	5 Collaboration: exercises, problem-solving, script development, design as metaphor, form as content. The impact of workshops on graduate careers
	6 Subjects in hybrid documentaries: casting, collaboration and co-creation. Whose story is it? What happens when hybrid documentaries behave badly and compromise the veracity of the content and integrity of the subjects? Are there checks and balances? Should there be? What are the experiences of participants/subjects of hybrid documentary?
Part III Beyond: contemporary hybrid filmmakers; interviews with contemporary documentary makers working in hybrid documentary forms
	7 Explorers: Late 20th-century innovators in form – Errol Morris, Brian Hill
	8 Adventurers: 21st-century hybrid documentary makers – Lynette Wallworth, Anna Broinowski, Robert Greene
	9 New visions: Acclaimed debut hybrid documentary makers – Payal Kapadia, Kirsten Johnston
Index