Hollywood at the Intersection of Race and Identity

Cover
Title Page
Copyright
Dedication
Contents
Introduction
Part I. Hollywood Formulas: Codes, Masks,  Genre, and Minstrelsy
	1. Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s
	2. The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise
	3. MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936)
	4. Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937)
Part II. Genre and Race in Classical Hollywood
	5. “A Queer, Strangled Look”: Race, Gender, and Morality in The Ox-Bow Incident (1943)
	6. By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell
	7. Disruptive Mother-Daughter Relationships: Peola’s Racial Masquerade in Imitation of Life (1934) and Stella’s Class Masquerade in Stella Dallas (1937)
	8. The Egotistical Sublime: Film Noir and Whiteness
Part III. Race and Ethnicity in Post–World War II Hollywood
	9. Women and Class Mobility in Classical Hollywood’s Immigrant Dramas
	10. Hawai‘i Statehood, Indigeneity, and Go for Broke! (1951)
	11. Savage Whiteness: The Dialectic of Racial Desire in The Young Savages (1961)
	12. Rita Moreno’s Hair
Part IV. Intersectionality, Hollywood, and Contemporary Popular Culture
	13. “Everything  Glee in ‘America’ ”: Context, Race, and Identity Politics in the Glee (2009–2015) Appropriation of West Side Story (1961)
	14. Hip-Hop “Hearts” Ballet: Utopic Multiculturalism and the Step Up Dance Films (2006, 2008, 2010)
	15. Fakin’ da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film
	16. “Let Us Roam the Night Together”: On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989)
Acknowledgments
Bibliography
Notes on Contributors
Index