Historic Avant-Garde Work on Paper

Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of Figures
Acknowledgments
List of Contributors
The New Paper World: By Way of Introduction
PART I: Paper Matters
	1. Painting White Paper White: Whiteness in Pablo Picasso’s Papiers Collés
	2. From Tearing to Infra-Thin: Paper, Materiality and Metaphor in Arp, Picabia and Duchamp
	3. Joan Miró’s Collages: “A Tribute to Bad Taste?”
PART II: Paper Community
	4. Medium, Platform, Art Form: Avant-Garde Experiments with Paper in the Original Print Portfolio
	5. Avant-Garde by Mail
	6. Paper Exhibitions: The Magazine as Exhibition Catalogue
PART III: Paper Transfer
	7. Monochrome Harmony: Black-and-White Work on Paper in Belgian Constructivism
	8. Making Strange: Hirschfeld-Mack, Klee, the Monoprint, and the Avant-Garde Diaspora
	9. “The most burning question for contemporary thinking about art”: Art Competitions and the Discourse on Painting in Reproduction in Weimar Germany
	10. Transparency on Paper: Imagining Glass Architecture from Taut to Eisenstein
PART IV: Paper Critique
	11. Protean Papers: Material Transformations in German Paper and Kurt Schwitters’s Merz Drawings and Prints
	12. Steadfast Matter: Paper’s Affects
	13. The Treason of the Clerks: Accounting for Paris Dada Paperwork
	14. Parade Albums and Censorship in the Soviet Union
Index