Ghosts of Transparency: Shadows cast and shadows cast out

TABLE OF CONTENTS\nINTRODUCTION\nI. CRYPTO ARCHITECTURE: NOTES ON MACHINE LEARNING AND DESIGN\nII. AN INSTRUMENT FOR COMMUNICATION: THE SELF-ORGANIZING MODEL\nIII. FORMAL CREATURES: GILLES CHÂTELET ’S METAPHORS\nIV. VOIDS, BRANDS, CHARACTERS, AND HOW TO DEAL WITH LOTS\nV. AMBIGUITY AND INFORMATION IN THE CONTEXT OF ‘ NATURAL COMMUNICATION ’: AN OBSTACLE-ORIENTED GALOISIAN STANDPOINT\nVI. FROM THE BIT TO THE PIT: POETICS OF THE FINANCIAL MARKET\nVII. THE ART OF EXAGGERATION\nVIII. ARCHITECTURE, AN ARTIFICIAL INTELLIGENCE\nIX. THE AURAL: HEIDEGGER AND FUNDAMENTAL OTO-CHEIRO-LOGY II\nX. REFLECTIONS OF AN IMAGINARY OBJECT ON A SILURIAN LAKE\nXI. PENTECOST — A MODEL OF COMMUNICATION FOR 21ST CENTURY ARCHITECTURE\nXII. BETWEEN DISEGNO & DESIGN THINKING\nXIII. CRYSTAL OF THINGS\nXIV. ARCHITECTURE OF THE DIAPHANOUS\nXV. THE DESIGNS OF THE NATURAL\nXVI. MYTHIC NOISE: ARCHITECTURES OF GEOLOGICAL COMMUNICATION\nXVII. PHOTONIC COMMUNICATIONS\nXVIII. SOFTNESS, HARDNESS: CONTEMPLATING ARCHITECTONIC CIRCUITS OF MEDIACY AND IMMEDIACY\nXIX. EXCERPTS FROM CHRONICLES OF THE DIGITAL\nXX. TRAVELLING ON PLANETS OF RESONATING CONCEPTS. IDENTIFICATION AND DIRECTIONALITY BETWEEN COMPUTATIONAL AND ARCHITECTONIC\nXXI. AN ESSAY ON THE GLOSSOMATIC PROCESS OF COMMUNICATING COMMUNICATIONS AND OTHER WORDS\nXXII. WHEN OTHERS PASSING BY BEHOLD: MEDIA STUDIES AND ARCHIVES ACROSS CULTURES\nXXIII. FLUID SPACES, ENCHANTED FORESTS\nXXIV. SPACE AS AFFECTIVE SENSE-MAKING CAPACITY\nXXV. A FEW PROTOCOL SENTENCES ON: NON-SYNTHESIS, THE VOLUMINOUS FORM OF IDEAS, TEMPORALITIES OF CREATION, HYPER-COMPATIBILITY\nXXVI. THE DIGITAL, A CONTINENT? ANARCHIC CITIZENSHIP WITHIN THE OBJECT-SPACE OF CUNNING REASON\nIMAGE REFERENCES